18 March 2012

Notes - no regrets /


         Waiting for everyone to come to the car – we are to return to yesterday’s park, Shaker Pond. Paul was called in for an operation at ten but he should be home later. Your youngest sister and brother-in-law, Gretchen and Jerry D., were coming over to see the baby later, but may change until next weekend. Last night you relaxed and read more of Steve Jobs’ biography – you are up to the first iPad but it is depressing because his cancer and complications are getting worse (though he has a new liver transplant). – Amorella

         The book is sadder as he is coming into his own his health gets worse. He did live long enough to accept the glory though. Good for him. He followed his inclinations and intuition – a mix of liberal arts and technology – he was a man ripe for the age.

         This morning you woke up very early thinking about the window of the soul being composed of angels’ tears – at least as being a good simple way to explain it to Arthur. Then, the more I thought it seemed to me a single angel tear would to for the window the heartanmind must observe from when enclosed within – one tear for the window composition of all human and marsupial-humanoid souls to observe from and reflect upon.

         In such a romantic/mythical (explanation) scenario I don’t know what the rest of the soul would be composed of.

         An angel’s wings, perhaps? – Amorella

         I note the sarcasm. I suppose the concept is a cop out. I’m not really explaining it to Arthur as much as I am to myself and here I am in this day and age falling back to myth and ancient child-like spiritual expectation. I was rather embarrassed when the idea popped into mind and woke me. It doesn’t fit with my temperament, nature and sense of authenticity so I put it over on Arthur rather than myself. I imagine this is the reason I didn’t want to bring it up myself, and might not have without a prompt. Then again, I might, just because (in the proper frame of mind) I wouldn’t really give a damn one way or the other. If the concept would work I might as well use it.

         Written with your truer colors showing, boy. – Amorella

         You are over at Target as Carol is picking up a prescription for sinus that Paul sent in, and Brennan decided he needed fed before the late Sunday morning trip to Shaker Pond Park. Post when you return to K&P’s for WiFi. - Amorella

         Change of plans. You are waiting in the Legacy Mall near Stride Rite shoe store while Owen gets new summer shoes as there is a sale today.

         I was set to go to the park. I find this very disconcerting. If I did not have my Mac Air with me I would privately be going stark crazy. I hate just sitting and not doing something in my head. At least I had my exercises earlier. I cannot think to work on the book. I was reading about Guenevere from Wikipedia as I assume Arthur is going to say something about her before the end of this scene.

** **
From: Wikipedia

Guinevere's and Lancelot's alleged betrayal of Arthur was often considered as having led to the downfall of the kingdom.
The Welsh form Gwenhwyfar, which seems to be cognate with the Irish name Findabair, can be translated as The White Enchantress, or alternately The White Fay/Ghost, from Proto-Celtic *Uindo- "white, fair, holy" + *seibarV (V=vowel) "magic" (cf. Old Irish síabar "magic").
In some versions Guinevere hides in the Tower of London and then takes refuge in a convent.

From: Wikipedia – Guinevere

** **

         Another interruption. Brennan began crying and would not stop. You called Kim who came and he stopped almost immediately. She put him in some sort of black halter and carried him off to the shoe store.

         Always something, Amorella. I held the kid’s hand but that didn’t do any good. He wasn’t hungry. How can you, at that age, miss your mother when you aren’t hungry?

         It doesn’t make sense that the downfall of Camelot is based on the betrayal of Arthur. Why didn’t Merlyn do something about it beforehand? He should have known, particularly if Guinevere’s name means The White Enchantress. Why isn’t Arthur blaming Merlyn for not seeing what was going on between Lancelot and Guinevere? Shouldn’t some of this be addressed in M and A’s dialogue? I realize that Guinevere would not be revered in the seventh century as she would have been in the twelfth (Cult of the Virgin Mary after effects), but what did the people of Camelot think when Arthur was going to burn her at the stake? It all goes back to the European men blaming all the problems of the world on either Eve or Pandora. I suppose I ought to re-read what I have read of the Arthur stories but I don’t have the inclination to do so.

         The convent fits right in. So what happens in Avalon when you are a distraught queen who betrays her husband for her husband’s best friend? What happens to Lancelot? I feel these points need to be addressed one way or another. This just complicates the scene. I wanted to be done with it in as few words as possible – there has to be an immediate closure for the time being if we are returning to Elysium. These books have about a million words more than are needed. Too many words mostly without enough thought behind them.

         Carol just stopped by to ask what kind of frozen yogurt you wanted and told you to put money in the parking meter, something that you evidently could not think of to do for yourself. – Amorella

         Much later, after twenty-one hundred hours, and you are laying in bed, legs crossed, with a pillow between your thighs and the top back of your MacAir with the screen light very much towards dim as Carol is going to sleep. You just completed the biography of Steve Jobs and feel it is a wonderful book about a man with a love affair with architecture, humanity and technology, but a far cry from the way you have a love affair with words.

         I admire Steve Jobs ability to work heartansoulanmind together and that his primary purpose was not about making money. I like to think that one of his earliest dreams, when the iMac came out in 1984-85 was the MacAir. He built the magical flute that allows my fingers to play words and thoughts with ease. “Play” is the operative word here. If I were a little of Jobs and a lot of Hemingway I would have eliminated eighty percent of the words in these Merlyn books and said the same thing with the remaining twenty percent. I was planning on doing more today but I was caught up in the family moments instead. No regrets.

         Post. - Amorella 
   

16 March 2012

Notes - parking lot thoughts / ‘muttellikks’ / sc. 8 working /


         Later mid-morning and you find yourself sitting at the Beachwood Family Medical Building lot, looking west at the east entrance of Beachwood Place about a hundred yards south of Cedar. This is the same intersection where you almost witnessed a two-car collision and found yourself scrutinizing the moments of the aftermath and thirty minute clean up. – Amorella

         No one appeared hurt too bad, though one driver was transported to the hospital, I assume for observation. The setting is more refreshing that sitting within the middle of a lot of cars. The trees are gaining blossoms and the yellow of the tulips are rising forth from green – there are small purple flowers surrounded by the yellows of a spring flower I should know but don’t. The sky, blue yesterday is covered today with what appears to have been once fog now risen to about 1000 feet of a light gray otherwise nondescript cloud mass. So much for the present the-busy-traffic-is-moving setting – nothing to write home about.

         Why are you doing so then? – Amorella

         I was just thinking thoughts and the fingers dance the keyboard with seeming automaticity. Basically, the writing is a habit. Just thoughts. I have nothing else.

         What about the elemental characteristics of souls? – Amorella

         I pretty much know them as far as the Merlyn books are concerned. Merlyn’s soul is immortal and has a sort of elasticity in which they hold Merlyn’s heartanmind – the other day I was thinking of an egg with two yokes, as an example for my self-consideration, except the shell doesn’t have any elasticity. Wait. The heartanmind don’t have any physical properties either so there is no reason for the elasticity to begin with. Before fully awake this morning to take Owen off to daycare I did have a word pop into mind – “puddlesticks”. I don’t know what conjured the non-word to mind but it did. I forgot about “puddlesticks”.

         It was a funny word and I began thinking of sticks or some sort of stick construction that was built out of puddles (‘puddle-wonderful’ from the poem, “The Balloon Man”) then – all I could think of was water puddles and how much fun they are for a cute little kid like Owen – who woke up in between Grandma and me this morning. Who knows when he came over to our room during the early morning?

         There is a short video on YouTube that Kim took from her iPhone last fall when Owen was out playing in a puddle and decided to sit in it. Why little boys are prone to do things like this I don’t know. I don’t remember Kim sitting in a puddle but perhaps she did. I don’t think I ever intentionally sat in one though I remember creating dams to hold the water back in the gutters of West Walnut Street in Westerville when I was four or five. I cannot imagine I would have just sat in a puddle like Owen did. What would have been the point other than the discomfort of having to change clothes and being told I shouldn’t be playing on the street.

         Upon a quick re-reading you divided the long paragraph into three parts. – Amorella

         Ha! Back to Caesar and his Commentaries. That is a very special book to me. I was forced to read it in the original Latin. I felt much closer to Caesar doing so. He was a wonderful military strategist and observer in my mind. There’s Kim’s ring. Time to swing around and pick them up.

         You are at K&P’s confronting a new problem, water in the southeast corner of the basement from the heavy rain last night. The plumber was called and he will come by tomorrow afternoon. Wet carpet about two feet out from the corner walls – life always provides something to deal with, no exceptions. Kim is feeding Brennan after a quick stop at the Apple Store. Kim is buying a new iPad for Paul, Owen and herself, if not today, the first of next week. You’ll be out to lunch shortly. Post. – Amorella    



         Mid-afternoon. Lunch at the Olive Garden, as it was Kim’s request. I have never seen her finish lunch before us. It was like she was eating for two people, unbelievable. We are now to Carter’s off Mayfield to return merchandise. Perhaps a stop at the Apple Store on the way home, that is unless the kid needs fed, then it’s home instead. Such is the daily life. I can’t remember where I was going with this.

         You weren’t. I began the first two words of the last paragraph and you swept in and took over. – Amorella

         I lost connection. I am tired from eating too much all at once. We had bread, salad, lunch lasagna and we divided a tiramisu for dessert. It feels like I just had a Thanksgiving dinner plus two desserts. I need a nap. Last night we had take out from the Happy Buddha on Green Street. I switched to something with less calories, chicken fried rice and an egg roll. That was really filling too, even more so than a ‘burrito bowl’ at Chipotle – too much food quantity at one meal. I need to cut down. It is making me uncomfortable – unbelievable to even have such a thought.  – We are K&P’s house. I’m going to bed.

         Almost twenty-one hundred hours. You had a long nap and lite supper then you finally did your exercises, thirty-two minutes worth.

         Earlier today I was thinking about “puddlesticks” and what if anything it might mean in relationship to soul architecture since that is what has been rolling in my mind. It doesn’t really make sense – maybe that is the problem – soul architecture doesn’t make sense – but in context how can the soul hold or cover Merlyn’s heartansoul unless like when the Dead are embarrassed or ashamed and will themselves back into their private abodes. They just disappear from the scene they are in and find themselves in their ‘shell of personal avoidance’  -- an instant ‘heavenly escape’ from their present situation.

         Avoidance is not Merlyn’s path, orndorff. He is working to connect the Living with the Dead. You are thinking a “flight or fight” pattern that is unseen in HeavenOrHellBothOrNeither. That is, unless the ‘fight’ is within the individual and, alas, in that case there is no “flight” from self-consciousness. – Amorella

         The marsupial-humanoid language has a word that sounds similar to “puddlesticks” that does have a meaning that is not within a human vocabulary. This is because of early living in a pouch environment, “muttellikks” is the word and it has to do with being nurtured within the pouch.

         I had to reinforce my thinking on the subject and used Wikipedia as usual.

** **
Marsupials:
An infant marsupial is known as a joey. Marsupials have an extremely short gestation period (about 4–5 weeks), and the joey is 'born' essentially in a fetal state. The blind, furless, miniature newborn, the size of a jelly bean, crawls across its mother's fur to make its way into the pouch, where it latches onto a teat for food. It will not re-emerge for several months, during which time it develops fully. After this period, the joey begins to spend increasing lengths of time out of the pouch, feeding and learning survival skills. However, it returns to the pouch to sleep, and if danger threatens it will seek refuge in its mother's pouch for safety.

Joey in a Pouch
Joeys stay in the pouch for up to a year in some species, or until the next joey is born. A marsupial joey is unable to regulate its own body temperature, and thus relies upon an external heat source. Until the joey is well-furred and old enough to leave the pouch, a pouch temperature between 30–32 °C (86–90 °F) must be constantly maintained.
Reproductive system
Marsupials' reproductive systems differ markedly from those of placental mammals (Placentalia). Females have two lateral vaginas, which lead to separate uteri but both open externally through the same orifice. A third canal, the median vagina, is used for birth. This canal can be transitory or permanent. The males generally have a two-pronged penis, which corresponds to the females' two vaginas. The penis is used only for discharging semen into females, while a urogenital sac stores waste before expulsion.
Pregnant females develop something similar to a yolk sac in their wombs, which delivers nutrients to the embryo. Marsupials give birth at a very early stage of development (about 4–5 weeks); after birth, newborn marsupials crawl up the bodies of their mothers and attach themselves to a nipple, which is located on the underside of the mother either inside a pouch called the marsupium or open to the environment. To crawl to the nipple and attach to it, the marsupial must have well developed forelimbs and facial structures. This is accomplished by accelerating forelimb and facial development in marsupials compared to placental mammals. As a result, there is decelerated development of such structures as the hindlimb and brain. There they remain for a number of weeks, attached to the nipple. The offspring are eventually able to leave the marsupium for short periods, returning to it for warmth, protection and nourishment.
Characteristics
Marsupials are characterized by giving birth to relatively undeveloped young. They lack a complex placenta to protect the embryo from its mother's immune system. They have a front pouch containing multiple nipples for protection and sustenance of the young.
From: Wikipedia: marsupials
** **

         The above is mostly about kangaroos but my aliens are humanoid also so I didn’t follow their biology to the order of the letter above. And, male marsupial-humanoids have a penis that is a bit of nothing when not aroused (which is most of the time). Mostly one would have to dig through their pubic hair to find it. This is very funny to the female marsupials, which are the aggressive ones sexually. A male erection usually lasts two or three seconds and the erect penis is about a foot long with the thickness of a soda straw. Female marsupials see a real joke when they see earth videos of women with a soda straw in or near their mouths. Anyway, most of the males are engineer types and have greater joy in creating machinery that is smaller and better built and more efficient than machinery of the previous generations. This is what comes to mind. I had a great time coming up with their social system. Actually, the “Ship” in the Merlyn books has a skin that is as an iPad without a screen the ‘engine’ and ‘mechanics’ of Ship is in its skin for the most part (I think. I don’t really remember and it is not important here anyway.)

         Returning to before your interruption; “muttellikks” is being nurtured by one’s own initial free will. The ‘Joey’ humanoid-marsupial has to find its food supply to survive. The human survives because mother (or a substitute) feeds herorhim. Muttellikks is initial freedom for the little fellow to join the social group via the pouch. In a sense you ’crawl’ to the pouch to survive and later you run to survive. That is the way their biological-social system is built. Taken as a analogy (in the books) the Godofamily is a female and the universe is her pouch. To leave the pouch is to go to the Great Beyond. By the way the photo of the Joey is not akin to a photo of a humanoid-marsupial (who has more developed human-like characteristics in a similar circumstance – they are covered with a fine hair and their hands and feet have longer nails to crawl through the mother’s pubic hair with).

         That has nothing to do with the soul and the heartanmind, Amorella.

         The only thing ‘puddlesticks’ is relevant to in the books is in its sound, which is like ‘muttellikks’ in the marsupial-humanoid language. This is something for you to think about. Perhaps you can invent a connection with the soul and heartanmind.  Post. - Amorella 


         Everyone was to McDonalds for a late breakfast, then an errand to the post office with a package for Sharon and Cory McKean-Rapp and Mia and the new baby arriving on Monday, I assume as Kim and Sharon are first cousins their children would ‘cousins’ in the more general sense of the word.

         You are stumbling for words, boy. You are at the Cleveland City Park in Shaker Heights (a mile or so south of Owen’s First Baptist Church Daycare on Fairmount), a beautiful natural setting with a huge old stone three floored, five chimney, slate roofed manor house styled home staring out between the large still bare trees with a variety of green hues sprouting bushes below.

         Shaker Heights is a classier community than Indian Hill in Cincinnati; the emphasis here is on ‘community’. Indian Hill has a beautiful natural setting also (without the public parks) but the homes have larger acreage than in Shaker and thus it has more of an estate setting than community setting. That’s my opinion. To each their own. We could never afford to live in either one, nor would we want to I think – too much house and too much care for a house. I would settle for a condo with the master bedroom on the first floor if we ever move, but I doubt Carol will – she wants a one floor. As they are all over at the pond I could be working on scene eight.

         Scene eight focuses more on Merlyn explaining how the world is from his perspective, so we can get right to it. – Amorella

Scene 8 (working draft 350+ words)

         Merlyn continued responding to Arthur’s many questions as to his perspective and early scenes viewed by following several analogies and narratives the reader has observed throughout The Rebellion.
        
         “I see the overview,” noted Arthur, “but the circumstances within us who are Dead and less so obvious among the Living, appears to be more important than even the tree that roots the vast universes seemingly beyond my imagination. I can consider the numbers, the analogous mathematics and dimensions involved but my mind cannot absorb what my heart cannot experience.”

         “Experience is a dimension unto itself, Arthur. A dream experience is a reality. Those who deny such have not been effected by a dream. The greater, common reality is witnessed in the effect. The wordy braided DNA dreams on how I arrived from my death in the European seventh century to make my way up to the twenty-first century through the crisscrossing of many heartsansoulsanminds of over the two-thousand year mixed genealogy of twins who married twins. In the mid-twentieth century Robert and Richard Graystone married their genealogically connected counterparts, Connie and Cindy Bleacher.

         Even today they do not realize their special connection to the heartansoulanmind with me – Merlyn, the once seventh century Scottish Bard and Celtic Druid. I traveled heartsansoulsanminds through the letters so that others might see how it is to be the Shaman of this six part series. Now in the pages an entrance through my dreams to the Rebellion of the First Ten Thousand Dead in Elysium’s setting of the eighth century before Christ to our present circumstantial setting, here and now in our seventh century set on the Isle of our Celtic Dead, Avalon.

***

         Later, and about time for supper (Paul is cooking steaks on the grill). Post, we can work on this later this warm spring-like evening. - Amorella


15 March 2012

Notes - Caesar, Arthur, St. James and fiction


         The Ides of March. My first ancient hero, Gaius Julius Caesar, was assassinated at the Theatre of Pompey on this date by a group of conspirators lead by Gaius Cassius Longinus and Marcus Junius Brutus. Below is legendary Scottish King Arthur’s legendary connection to the family of Gaius Julius Caesar the father of the assassinated son. Even fiction has its ancestory.
King Arthur to Julia Minor, sister of the Julius Caesar, Emperor of Rome

Eochaid Buide MacAedan [Brother of King Arthur]
I
Aedan MacGabran Pendragon = Ygerna (Igraine) del Acqs
I
Gabran = Princess Lluan of Brencknock
I
Bychan II of Manau Gododdin = Princess Ingenach of Strathclyde
I
Dyfnwal Hen
I
Cinuit
I
Ceretic Culetic of Strathclyde
I
Cynloyp
I
Cinhil
I
Cluim
I
Cursalen
I
Fer
I
Confer of Strathclyde
I
Cunedd
I
Coel II of Colchester
I
Prince Cadwan of Combria = Princess Gladys
I
Lleiffer Mawr (Good King Lucius) = Gladys
I
Coel I
I
King Marius of Siluria * = Penardun
I
Genuissa [Venissa] = Arviragus Gwenivyth, ArchDruid, King of Britons
I
[Married in 49 AD]
Claudius Caesar I (10 BC – 54 AD) = Agrippina, the Younger
[Claudius adopted her son, Nero by Emp. Nero whom she murdered]
I
Nero Claudius Drusus = Antonia Minor
I
Marcos Antonius II = Octavia Minor
[Octa. 4th wife; Cleopatra 5th wife]
I
Augustus Caesar, Emperor of Rome = Atia
I
Atius Balbus = Julia Minor
Julia Minor was the sister of
Julius Caesar, Emperor of Rome
[Assassinated 15 Mar 44 BC]

***

         While searching through your resources you discovered another intertwining connection to the fictional Scottish King Arthur. – Amorella

***

Joseph of Arimathea (St. James) to Scottish King Arthur MacAedan
And likewise to King Eochaid Buide MacAedan of the Scots

King Eochaid Buide of the Scots *
(Brother of King Arthur)
I
Aedan MacGabran, Pendragon = Ygerna (Igraine) del Acqs
I
Princess Lluan * = Gabran
I
Princess Ingenach = Brychan II
I
Dyfnwal Hen
I

Cinuit

I
Ceretic Guletic of Strathclyde
I
Cynloyp
I
Cinhil
I
Cluim
I
Cursalen
I
Fer
I
Confer of Strathclyde
I
Cunedd
I
Coel II of Colchester (Camulod)
I
Gladys = Cadwan of Combria
I
Lleiffer Mawr and Gladys
I
Coel I
[Old King Coel]
I
Pendarun = King Marius
I
Anna = Bran the Blessed, Archdruid
I
Joseph of Arimathea
(St. James)

- Jesus’ great uncle through his mother, Mary -
According to the traditional story, he brought the Holy Grail to England, 35 AD.
[Also, Mary, Jesus’ mother’s bloodline traces back to King David]

***

         Both of the above genealogies come from Laurence Gardner’s Bloodline of the Holy Grail that in today’s world has been widely discredited. However, I chose it as one of my sources for my fictional Merlyn’s Mind series when it had slightly more credibility. Nevertheless fiction is a wonderfully creative device.

***

Laurence Gardner’s Bloodline of the Holy Grail advertisement:

“From royal and suppressed archives comes proof of the descending heritage of Jesus in the West. In Bloodline of the Holy Grail Laurence Gardner casts penetrating new light upon the Grail Code of Service and the venerated feminine element, abandoned by the Church in order to forge a male dominated society. This unique work offers revelatory insight concerning the descendant heirs of Jesus and his brother James while, in documenting a hidden legacy of the Messiah, it unveils hitherto guarded facts about characters such as Mary Magdalene and Joseph of Arimathea. Featuring all the charm and adventure of Arthurian romance, this worldwide bestseller has a cutting edge of political intrigue, which removes the contrived blanket of established dogma to reveal one of the greatest historical conspiracies ever told.”
Publishers
Revised paperback edition of the 1996 original text, UK published in November 2002 by HarperCollins (Thorsons/Element imprint), ISBN 0007142943.
Available at Amazon.co.uk
From: www.graal.co.uk/bloodline.php

*** ***
         You are debating on the fairness of not including the critics of the author and the book here. I say, leave it be. The world is full of both frauds and critics and from my perspective it is sometimes difficult to tell the difference. The above spiked your interest since you had discovered you too were disjointedly connected to the Scottish Royal Clan through the Hubbell’s.

         Fiction is what it is, Amorella, and I still consider myself mostly fiction anyway.

         That is your standing humor and mine too, boy. The only irony here is that you would like to leave this earthly world an honest man. Fiction appears to be the only way to go in this case. Post. – Amorella. 
   

14 March 2012

Notes - "Hi, Papa!" / 'mudification' by souls / trancephysics / Merlyn's Prologue, Braided Dreams


        Earlier in the mid-morning. Routine has settled and you are coping better. Owen and Brennan are asleep. Carol and Kim are having breakfast. You had a peanut butter lite on a piece of multigrain bread and half a cup of two percent milk filled full with cold water. You are in the living room brown easy chair with your feet propped up as the women wake up the children. To you this is an uneasy sign that you will not have complete control of your morning routine. – Amorella

         True. I am already affected, just by the commotion alone. How people with supposedly focused artistic talents get along in such a world is beyond me. Here we go. The happy little guy holding on to the railing while coming down the stairs shouts, “Hi, Papa!” And it is time for toys and PBS’s “Cat in the Hat” while Grandma works on breakfast.

         Post and let the sun shine out, old man. - Amorella


         Late morning, Carol, Owen and you are at Heinen’s grocery near the corner of Green and Cedar – one of your favorite Cleveland stores. You and Owen have the windows down and sunroof open as it is a pleasant Wednesday morning on the near east side of Cleveland. – Amorella


         Another errand, this time to Target on Cedar for meds for Owen – always something, ay orndorff. At least you can relax with some classical music provided by the musicians who played at Kim and Paul’s wedding: Spring, Sunrise - Sunset, Water Music, Autumn, Ode to Joy, Fantasia, Mozel Tov and other like selections. – Amorella

         A return to K&P’s home. In yesterday’s post you mentioned, “the earth is shaded by souls”. What is the ‘light’ behind the souls that causes the shade?

         Metaphysics, orndorff. First, the implication is that souls are constructed of a substance that can block ‘light’. Now, to your question, “What is the Light?”

         Elucidation: an explanation to make things clear. From: Oxford-American software for the MacAir

         You, Amorella, are implying that souls can mudify things.

         Mudify is not a word, boy, but it works in this situation. – Amorella

         As far as the Merlyn’s Mind books are concerned, how and why can souls mudify the heartsansoulsanminds of the Living, Amorella?

          Take a break, boy; besides its lunchtime. More later. Post. - Amorella


        After dusk. Everyone had last night’s chicken divan for supper but you quietly upchucked yours and switched to peanut butter lite, a gram cracker and a Zero cola instead. Paul took Owen up to bed and Carol and Kim are once again in the kitchen. That takes you up to the present and a return to a house in a state of library quiet.


         What is the metaphysics of light and souls and more importantly, how does it effect the storyline?

         Heart and mind have adapted to a natural built sense of circadian rhythm. For instance ‘poetry and music’ come from the heartanmind not from the soul, though the poetry and music can be ‘soul felt’. Reason is a discipline that accounts for poetry, music, and all the arts, but the soul is un-reasonable as it is what it is. Your immediate thinking flashes to an angelic sense of seeing directly from its point to another angel or possibly even G---D and missing the forest of physics in the common area between itself and another metaphysical being. The soul’s enlightenment is similar. It touches and is touched by other souls but in between are the heartsanminds or mindsanhearts, if you will. This cannot be helped but it can be better understood. 

           A calming trance-like state can sometimes help improve this interference. Time and space are conditioned as well as physical in appearance and in reality a far as the human and marsupial-humanoids are concerned. In the books the tendency for continued conscious survival after physical death is the acceptance of the heartanmind outside and the soul within much as the physical aspects of biochemical life are outside and the heartansoulanmind within. However, Merlyn, in order to exist in his timeless and no-space circumstance (for movement in and about the physical and metaphysical dimensions) – must be within a trance-like state always or as mentioned in book one as trancephysics.

         I have checked and found an immediate explanation in Merlyn’s “Prologue” of book one, Braided Dreams. Here it is:

** **

Prologue 

            The Dead tell no tales, they dream them simultaneously in sets of threes. One dream is set in the present, another in the past, and third in the future. All interrelate because they are from the same dreamer. Each of the three dreams is ‘within itself’ as an existential document. Each dream is in a chapter segment with three subdivisions. The dreamer weaves the three story dreams as one would weave an English braid. The Present, the first plait is invisible to the Dead but known nevertheless. The past, the plait on the right, is a spiraled, corkscrew-fashioned as is the future, the plait on the left, is likewise, thus the dreams can be consciously envisioned three dimensionally as a double helix with the invisible present up the middle shaft.

            The reason the Dead dream this way is the root of what they are, the self-conscious remnants of a human life once lived. In the dream state, they are but a shadow of their former selves, and that shade is their DNA. When alive the Dead had a conscious sense of life. To this each added herorhis own sense of meaning and purpose. This sank into the unconsciousness, the mind on automatic. When the Dead dream, their consciousness and unconsciousness switch places. This dream sense is understood through underlying symbols, metaphors and personifications that distribute themselves throughout the dead dreamer’s dream. No one expects a dream to be real. It is merely a way for the Dead to keep in touch with those who carry on their mother’s DNA; who in turn, through the Living, continue to push Mother’s DNA into time, place and setting.

            This is the first book of Braided Dreams of the Dead. The braiding function allows the dreamer a separate consciousness in our present life. As the Dead were too busy living, many didn’t fully understand the present when they were alive. Self and/or family survival is usually the first perquisite among the Living. Merlyn has had plenty of time to think his dreams through.

            Each past dream and each future dream starts as a moving spiral, something into which the dead dreamer can slide through into our present. The past and future are each as a wrapping arm to encase the present as one of the Living experiences it in the early twenty-first century. The dreaming is an art form not a fact such as observing the sun rise in the east or watch it set in the west. Some may call sunrises and sunsets nature’s art though, and if you can picture the sun rising in the east and setting in the west both at the same instant, the you living your conscious life, you already have a sense of how timeless this braided dream book is. You sense what it is to be dancing with one of the Dead.

            The root of these dreams with a present, past and future is the dead dreamer, known on Earth as Merlyn the Magician. He lived in the sixth century in real life, but this is a dream so it makes no difference when he lived. What is important is that he once breathed the same air we all breathe, and he lived under the same sky we all live under today.

            Consciousness and unconsciousness set in the mind of the Dead. This is the origin of the double helix of dream segment after dream segment. Twenty-one segments of present, past and future are rounded-out as twenty-one large stones in a circle of three smaller stones. The three smaller stones represent the one large one on the outside. This is the symbolism used in the days of Merlyn on the earth known as the Isles as well as the rest of the world. This is a braiding of Merlyn’s dreams is not mine. I exist in the dream as Richard Graystone and as such, I am a part of Merlyn. Each of Merlyn’s dream tresses is, as a matter of record, lucid dreaming. I, Richard, appear from time to time in a variety of characters, narrators, or facilitators.

If dreaming is as a modern communication devise, then I, the author, am as a chip on the circuit board. This radio-like circuit board analogy makes a quantum leap from dead Merlyn to the Living via thought waves in the mind alone, separate as thoughts are, from the physical reality of the brain. Thoughts alone have a dream-like quality to them. You cannot prove a particular dream a dreamer has. A researcher can read the scientific monitors attached to a dreamer to analyze that a dream is no doubt taking place by checking the rapid eye movement associated with the dreamer, but only the dreamer can tell you what the dream was about. This book focuses on Merlyn’s dreams and their most probable braiding. The author describes Merlyn’s dreams as he has observed them.

        Here are a few words from the dreamer himself. “This is Merlyn, a Scotsman by some accounts and a Welshman by others. I like to say I was a man of the Isles. The stories about me are legendary and thus fully open to suspect. When I was about two and running for a living, I grew tired and fell asleep in the hollow of a large forked Oak tree.

         When I awoke, a red fox pup was staring at me from outside the tree. I held out my hand and he licked it. I was conscious that I was as a fox pup. A year or so later an uncle told me the story of Romulus and Remus and how they were inadvertently raised by a she wolf named Silvia thinking the wolf was the twin’s natural mother.

          I saw the fox pup from time to time, and when she and I were both older, I called her Silvia. She stayed wild but if I brought her food she was stay and eat it contentedly. She even let me pet her from time to time but she did not fully trust me. That was the first lesson Silvia taught me, do not fully trust fellow human beings including one’s self. It was one of the most valuable lessons I ever learned.
     
         Being dead, I have had time to think the dreams out and put them in order. It was simple enough to see the thoughts I brought along with me. Crusty old Captain Leo Lamar seemed an easy enough way to make contact with Richard in the present. I could have made myself Charon crossing the river Acheron, but people don’t know the Latin stories like they used to. If you whisper in someone’s ear, “This is old Merlyn back from the Dead,” you may think you are out of your mind. I was a wizard’s apprentice long enough to know that. You are not out of your mind; you are in my mind while you are reading the dreams. I am the root of the connection because I am the dreamer. If there be madness here, you pluck it out.

       People say, “Merlyn, you had your dreams, what do they mean?” No one says, “What is the purpose of your dream?” You read my braided dreams, and you dance with them however you like.

           Surviving life is a gratifying experience. Only the Dead can fully appreciate the humor of it. When alone, you do not see yourself as you truly are. You need to share your humanity with fellow humans. Think what you will. Free will exists among the Dead, otherwise, how else could you be dead and still remain human?

          Sharing and privacy are very important to the Dead. This is where Free Will comes into place. Being humanly alive is partially an art form and so is being humanly dead. Trancephysics is dreaming and being awake and conscious at the same moment, a lucid dream set in a lucid dream set in a deeper reality of the present. Which of the two do you think you are going to bring with you when you are dead, knowledge or understanding? You don’t need to be one of the Dead to have an understanding.

         If you see humor in your life as I did in mine, you already recognize a major aspect of what it is to be human. I still see humor in my own death. It makes the continuing transition easier.

         Braid my three dreams in your own way. The braiding is one of several paths to reading my mind. You are welcome to harvest what you will, but the dreams are my own, just as your dreams remain yours. If you think your dreams die with you, ask one of your descendants. In this fiction, Richard is one of mine.

Merlyn of the Old Isles
                                                                October, 2006
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         Enough for tonight, boy. Post. – Amorella