31 March 2016

Notes - pressing a review


       Almost noon local time. Carol is on the phone with her sister Linda. You have completed four of your five exercises for the week. You watched an intellectual and artistic film last night on Netflix, Nymphomania, Part I. What do you have to say about it? – Amorella

       1201 hours. I like to try art films, some are interesting. If you look at the title it appears to be porn (but on Netflix?) – it is about the human condition that goes somewhat deeper than the graphic scenes depicted. One of the graphic scenes is on the death of her father, a medical doctor, – very, very sad – what a way to leave this life. The sex scenes are bluntly graphic and as such are not so erotic as one might predispose. And, perhaps that is the point – seen from this poor woman’s condition as she tells her story to an older, asexual man who helped her up from the street one night and gave her shelter. She tells him her stories and he tells her his. Both try to find a common thread in the assorted human condition(s) of each. I like the tone, which is also intellectually graphic – for instance, she talks about the first sexual years (15+) and he talks about how much he loves fly fishing. His flat is full of books and he has a mathematically oriented and literary mind. What a great way to use juxtapositioning throughout the film. The film is not porn, which is the reason it is on Netflix. Some of the Netflix reviews said the film was boring. That struck my interest so I finally watched it. Here is a professional review.

** **
NYMPHOMANIAC: VOL. I 4)

                  Cast                Characters:

                Charlotte Gainsbourg  Joe, the main character
                Stellan Skarsgård as Seligman
                Stacy Martin as Young Joe
                Shia LaBeouf as Jerôme
                Christian Slater as Joe's Father
                Uma Thurman as Mrs. H
                Sophie Kennedy Clark as B
                Connie Nielsen as Joe's Mother
                 
          Director: Lars von Trier

 |By  Sheila O'Malley

March 21, 2014   |  

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The first poster released for Lars von Trier's "Nymphomaniac" had a Brady-Bunch structure, with images of all the main actors stacked on top of one another, each individual lost in the exact moment of sexual climax. The poster was eye-catching and funny, private and exhibitionistic at the same time.

Sex may be "natural" and "good" (according to George Michael), but seeing sex onscreen (either actual or simulated) is often a game-changer. We all may do it, but how do you put it onscreen in a way that is representative of the mess/humor/actuality of it? How do you represent sex and also incorporate emotion? Human beings are often very silly about sex, especially when they get too philosophical about it. It's like getting philosophical about a sneeze. Unlike a sneeze, sex carries lifetimes of associations with it, and yet naked writhing bodies onscreen often flatten out into a general cliché representing a hazy idea of the act.

The best part of Lars von Trier's fascinating, engaging and often didactic "Nymphomaniac" is that, despite the sometimes-grim tone and bleak color palate, it's an extremely funny film, playful, even. It's outrageous and provocative, intellectual and primal at sometimes the same time. It features of a lot of what looks like actual sex (although we are told in the end credits that the penetrative sex depicted was done by body doubles), and while it is obviously interested in sex, it is more interested in how we talk about sex, how we incorporate it into our identity (or don't). Similar to "Melancholia," von Trier's masterful examination of depression, and how it feels like an outside force working on those who suffer from it,

"Nymphomaniac" (which will be released in multiple volumes) sees sex through the eyes of a damaged woman who has made it her mission in life to remove sex from our "love-fixated society". She says, flatly, "Love is blind. No, it's worse. It distorts something. It's something I never asked for."

Charlotte Gainsbourg plays the androgynously named Joe, who, at the opening of Volume I, is discovered lying bruised and battered in a dark alley by Seligman (Stellan Skarsgård). Seligman takes her in, tucks her in bed, and gives her tea. He is a complete stranger and he asks what happened. She warns him up front that it will not be a nice story, that she is a bad person. He assures her that nothing she tells him will shock him. He thinks she may be being too hard on herself. There's something almost unfinished about Joe, a flat affect, as she insists that her behavior has been beyond-the-pale. As the rain pours down, she tells him her story.

It's a blatant theatrical device, an artificial framing, and von Trier uses it unabashedly. The film is broken up into titled-sections, each with their own narrative thru-line and tone. Occasionally, we go back to the bedroom with Seligman and Joe, when he interrupts her to ask a question about what she just said, or he interrupts to go off on his own tangent of thought. He is not freaked out by what Joe tells him. On the contrary, he is delighted by it, and seems delighted by the opportunity to talk about all of these important matters in an in-depth spit-balling kind of way. Seligman is a big fly-fisher, and much of what Joe describes, her various tactics with men, her use of different kinds of "lures", reminds him of his favorite hobby.

Part of the delight in "Nymphomaniac" is its disinterest in being anything other than fully itself. That "self" may change on a moment-to-moment basis, which makes "Nymphomaniac" a dizzying experience. The film is sometimes stylized, other times totally realistic. Mathematical equations appear on the screen, counting out the sexual pumps from Joe's first lover. There are intricate diagrams of a parallel parking job, showing the swooping parabolae necessary to fit a certain car into a certain spot. A chalkboard lists questions all starting with the letter "W". There are long conversations about Edgar Allan Poe, Bach, and Fibonacci numbers. "Nymphomaniac" requires an audience to submit to these segues, to go with the flow, to hand over control.

In the flashback sections of Volume I, the young Joe is played by Stacy Martin, being raised by a "cold bitch" of a mother, and a kindly doctor father (Christian Slater) who passes on to his daughter a love of flora and fauna. She discovers early on that when she touches herself between her legs, she gets what she calls "the sensation". Joe views her virginity as something that needs to be gotten rid of pronto, so she hits up a local rough-around-the-edges mechanic named Jerome (Shia LaBeouf) to do the deed; he complies with very little ceremony and no preamble. Jerome keeps entering the film, through various hard-to-believe coincidences. The mechanic somehow is transformed into a pencil-pushing office manager. When Jerome re-appears for the third time, Seligman, still listening, calls Joe on embellishing the story. This is sounding fictional now, cries Seligman. She must be making this up! Von Trier uses Brechtian distancing devices like that to comment on his own story, even as he meticulously sets up each self-contained section. He knows we're going "in and out" of the action, he knows we're going to have questions and doubt her reliability as a narrator. In fact, he counts on it.

Young Joe, once she lost her virginity, starts her quest to have as much sex as she possibly can. Her partner-in-crime for this is a young friend who is even more daring, and who comes up with various sexual competitions. They board a train and keep a running tally of how many conquests they can each make over the course of the night. Joe is amazed to discover how easy it is. She tells Seligman of her learning curve, the tactics and strategies she used as she worked that train. Every man is different. She is cold and calculating about it, and the scene really captures the restlessness and kamikaze bravery of young girls first trying out their sexual powers without knowing at all what they are doing. "Nymphomaniac" does not judge Young Joe and her friend. The only person judging Young Joe is the mature Joe, wrapped up in blankets, telling Seligman the story.

Every time Seligman interrupts, Joe reminds him that his feelings about her will change once he hears the whole story. It's a hook, a tease, the film's own fly-fishing "lure".

In one sequence, Joe relates the difficulties of juggling seven different lovers. Often the lovers meet at her door, one guy leaving as the other guy arrives. Things get messy. Joe may be able to separate sex from emotion (as a matter of fact, that is her goal), but it is not as easy for others. One guy shows up at her door, holding a couple of suits in dry-cleaning bags, announcing he has finally left his wife and is moving in. Joe is horrified, even more so when the scorned wife, known only as Mrs. H. (Uma Thurman, whose manic vicious performance is one of the film's high points and tips "Nymphomaniac" over into out-and-out screwball) shows up at the door with her three children. She wants the boys to see where Daddy has been spending all his time. "Come, boys, let's go look at the whoring bed!" exclaims Mrs. H. brightly.

The American actors use on-again off-again British accents, which adds to the blasé humor of the thing. It's not important where these people are. It's not even important who they are. It's important what they do, and it's important how they think about what they do. "Nymphomaniac" does not make the mistake of suggesting that Joe's behavior is connected to a bad experience in her childhood. This is not a redemption narrative or a trauma narrative, at least not yet. Sex feels good all on its own; sex is its own reward.

Seligman sometimes misses the point of Joe's narrative, musing about how addiction can dull a person's moral apparatus. Joe wants to make sure she is perfectly clear with him: She embraced sex because of the "sensation" it provided her. The power she had over men was secondary. She loves lust, and her lust makes her heartless. Well, it's a heartless world. Joe sees herself as an outlaw, taking charge of her own hunger, and as a young woman she and her group of fellow outlaw friends create a club which has an Erica Jong-like mission statement: "We have the right be horny." The fact that the club shuns members who sleep with the same guy twice is an explicit acknowledgement of the bonding emotional power of sex, something the girls all want to avoid.

Volume I ends on a wrenching note, with Joe at a painful crossroads in her own sexual philosophy, and scenes from Volume II unfurl alongside the roll of credits. All of the talk in Volume I about lust and sensation and "cocks" (we get a gallery of different penises flashing across the screen) translates into some extremely dreary sex in "Nymphomaniac", boring, bored, silly, embarrassing. You look at some of it and think, "What on earth is the point?" None of it is erotic. All that pounding and thrusting and grinding adds up to a keening unspoken awareness of the emptiness at the center of humanity, the looming presence of death, the doomed possibilities of not only connection, but feeling itself.

Sex can be many things, it can express love, hate, power, revenge. It can relieve boredom. It can be overlaid with intellectual considerations, or concerned with concepts such as consent, objectification, misogyny, the entire history of cultural baggage people bring into bed with them. "Nymphomaniac: Vol. I" addresses these heavy topics, but in a way that doesn't feel heavy at all. The film is an intellectual high-wire act, death-defying, dangerous, entertaining, and delighting in its own inventiveness and daring.

Selected from -- http://www.rogerebertDOTcom/reviews/nymphomaniac-vol-i-2014

** **

       1424 hours. The above review says it all. I’d give Sheila O’Malley an A for this review if I were teaching a writing course to adults.

       Presently you are waiting for Carol at the community center while she walks. You both had a make-your-own lunch just before this. – Amorella

       1428 hours. The sun is attempting to show itself but the clouds are thick and we are supposed to get much more rain tonight.

       You have begun Part II because, among other things, you are curious as to how the films conclude. The first one has four and a half stars out of five and the second, four stars. The main point here is that you have discovered you can write about such films because you like them for their artistic sake. Of course in your college days you subscribed to Playboy but insisted that you also read the articles, which you did. Nothing much has changed in this regard. It is always important to be able to accept who you are, warts and all, so to speak. – Amorella

       1436 hours. I don’t have warts, but I do have three skin tags on my face. If Kim and Paul stop by on the way home I am going to have some off-the-counter ‘Compound W – Freeze’ so he can take them off. It’s not liquid nitrogen but it ought to do for skin tags.

       You’ve made a stop at Kroger’s on Mason-Montgomery before heading home. We can finish up The Dead – Eleven if you wish. – Amorella

       1455 hours. That’s fine. This is a bit too esoteric; I’d rather Merlyn work up a monologue – raw souls don’t have much humanity to them.

       That’s an understatement, but we’ll fit it in. – Amorella

       Time for bed. Perhaps tomorrow, orndorff. Post. - Amorella

30 March 2016

Notes - oddly

       
       Dusk. You are waiting for Carol to finish walking at the Community Centre after having supper at Panera/Chipotle. – Amorella

       1914 hours. Carol has breakfast with her retired friends in the morning but after that perhaps another trip downtown to Ohio Marble and Tile to pick out tile for the hall bathroom after the new tub is put in. We have faucets and such to pick out also. I think we know what lights we want for the master bath – right now we are cutting back and just getting LED bulbs for the hall bathroom thus keeping the light fixture we have in the hall bath – the main points are tile, tub and painting as well as new plumbing fixtures.

       You watched ABC and NBC News as well as two DVRed shows. You are both upstairs readying for bed. Post. – Amorella

       2155 hours. We did not accomplish much of anything.

       Is this your definition of living a good life? – Amorella

       2200 hours. One should be doing something constructive every day even on a personal level and obviously I don’t.

       You did your forty-two minutes of exercise today. – Amorella

       2204 hours. True, but that is it.

       You are alive and hope to wake up in the morning. – Amorella

       2205 hours. That is too simple of an event to think on.

       One day it will not be. – Amorella

       2207 hours. Death happens to us all, just like being born. It happens. No sense dwelling on it.

        You dwell on it all the time. – Amorella

       2209 hours. In the imaginary sense. I suppose when I’m dead, if I have a consciousness, I’ll imagine how it was being alive from a different viewpoint.


       Oddly, I can picture that. Post. – Amorella  

29 March 2016

Notes - communication among souls / short script /



       Carol went back to bed, you are going to Joseph Toyota to have the childproof lock on the right side rear fixed or replaced. This is the first time you have had a problem with the car. Larry is preparing an itemized contract for the master bathroom restoration. As such, the day begins. – Amorella

       0828 hours. The appointment is for 9:30 I’ll leave in about ten minutes. One never knows about traffic. – Wouldn’t you know, I arrived in less than twenty-five minutes; they took me in early.

       0943 hours. How do souls communicate?

       In here it is reasonable for souls to touch, at least that works in a human perspective. For example, two friends touch, arm slung around another’s shoulders or two touching more intimately by holding hands in silence or two touching bare feet across from each other at a kitchen table. Even two walking down the hallway at work and their hands brush against each other, that’s another example. Hugs, shaking hands, touching elbows or whatever – these are examples of how souls speak to one another. Human beings ‘know’ when such an occurrence has taken place – maybe not until later, after the fact, when the touch, sometimes seemingly accidental, has not been forgotten but remembered in a positive, uplifting way. Souls-touching within body-to-body physics is not sexual in nature. It is as a scent, a whiff of something deeply natural that can exist ever so calmly beyond physical death but it can be felt when alive too. You have felt the sensation orndorff while walking down the high school hallway with a colleague. Seemingly accidental or magnetic the ‘voice’ was a “Hello, how are you [heartansoulanmind], (you who were once seeming a stranger and now not so, and maybe never not so)”. There you have it – two souls talking in a deeper friendship not love. – Amorella

       1004 hours. This seems odd to hear “. . . in a deeper friendship not love.” I would think love makes up friendship not the other way around.

       In here friendship is first; why?; because I, the Amorella, am your friend first. This is my authenticity.

       1007 hours. I learn something here. In here (within my heartansoulanmind) friendship is our bond.

       How else would it be, boy? – Amorella

       1009 hours. I don’t know. I don’t think I have ever thought about our relationship in this manner.


       And, in here, so it is with Merlyn and the other characters – friends, of a sort, companions. Later. Post. - Amorella

       1158 hours. I’ve been home for more than an hour. Joseph fixed the problem – a cable inside the door had come off (who knows why). They fixed it. No charge. They didn’t even use our extended warranty policy. I have to make an appointment to have the tires rotated on the Honda. A squirrel just came up on the front window ledge and both it and Spooky tried to sniff each other as they went back and forth across the two windows at least two times, maybe three, before the squirrel jumped back onto the bushes stretching across the front windows and beyond. I wonder how it would have been had the windows been open?  

       You are at Michael’s Tires on Tylersville where you bought your Bridgestone’s. Rotation is free as is balance. They have the time and you are having the rotated presently. – Amorella

       1356 hours. We had left over Papa John’s for lunch and it looks like I picked a good time to have this done – nice to know about the free rotation and balancing. I’ve dealt at Michaels for decades; I’ll come back again when the Toyota needs tires. This has been a good day car-wise. Now, back to soul-talk. – I have forgotten what the segment is about. This is no way to re-write a book. Maybe I’m too old to be writing this sort of material. 

       I’ll write the script here, orndorff. – Amorella

*****

       To the Living Foretoken and Venerable appear untouchable yet these two early soul-friends are solid enough within a vision sprayed of resourceful and heartfelt fancy. All souls know what they are – immortal and though as nothing, souls are stronger than the physics framing the many universes of the Living.  - Amorella

*****

       You and Carol watched a new show titled “Catch” or “The Catch” along with the latest “Blindspot”. Earlier, you began with ABC and NBC News after Carol’s choice for supper at Piada Italian Street Food on Mason-Montgomery Road. – Amorella

       2211 hours. We’ll see how the script comes along tomorrow. I’m done for tonight. 


       Post. - Amorella


28 March 2016

Notes - we are not the same


       Dusk. You are at Kroger’s waiting for Carol after watching ABC and NBC News. As the day was cool, rather dark and gloomy you vegged eating snacks for lunch and watching last night’s “Elementary” and PBS’s “Grantchester” season two. – Amorella

       1959 hours. This was a lazy day. The only reasons I got the car out were to put the trashcans back in place in the garage and to go out for Papa John’s pizza, which was excellently made by Homer himself.

       You came home and watched “Selfridge” on PBS, first episode of the final season. Tired, you both stopped after mid-way to finish it tomorrow. Carol is up reading before bed. You are soon to follow. – Amorella

       2220 hours. Tomorrow, I take the Avalon over to have the rear driver’s side door looked at. This is the first trouble we have had – the back door is not opening from the inside (Carol noticed when she sat there when Craig and Alta were here.)

       Today you were glancing at old photos of some of your friends. Tomorrow, it would do you good to place a few of these in the blog. The heartansoul do not reference time as the mind is forced to do. This is can be a saving grace for anyone even when alive. Post. – Amorella

       2226 hours. You surprise me to think such things Amorella. I have a tendency not to think on how we were because we are not the same no matter how the reference – time, experience, or even memory.

27 March 2016

Notes - Sat and Sun


26 March 2016

            I found these interesting questions/responses on Quora this morning.

** **

What is free logic, and how does it differ from classical logic?

Quinn Russell, specialized in logic and language in philosophy

118 Views • Quinn is a Most Viewed Writer in Logic (philosophy).

John Bailey's description is correct and a consequence of the main difference. Free logic does not assume existential import. In predicate calculus, the existential quantifier some means at least one and generally assumes existence in a domain. Unicorns can be discussed as existent in a fictional domain where unicorns exist. But free logic removes the existential import on the quantifier, which also allegedly frees it from the constraints of the domain in which it is said to exist.

Note that this difference mostly applies to specific variables, not universally generalized ones (as classically distinguished by the syllogistic square). There has been debate over the centuries whether universal variables assume existential import. In other words, can the set of “all unicorns” be empty? If yes, which has been the dominant view, and we interpret “all unicorns have horns” as “if it is a unicorn, it has horns”, then the sentence is trivially true because its antecedent is false because unicorns don’t exist. Requiring universal terms to be existential as well might be overly restrictive, however, leading to a Platonic-like metaphysical realism about universals. When proposing natural laws, for example, we would like to propose laws for potential or possible natural states, states which might not yet actually exist but are predicted by the natural law.

It’s also worth noting that a modern propositional logic, which is not quantified, and its variables can be interpreted as always universal, is a sort of free logic because it does not require existential import. It could be said that one aim of free logic is to free logic from its metaphysical commitments so it can be applied to any ontology. Aside from the metaphysical question about whether universals, particulars, or both actually exist, or in what manner or mode they exist, free logics decouple truth from existence. This is particularly useful for some notions of truth in which truth is interpreted as coherence, persistence, consistency, preservational, or semantic, in other words, in almost any non-correspondence theory of truth. It’s also useful for paraconsistent logics where we might use multiple truth values without intending a sort of dualism regarding existence. [ Bold is mind. rho]

***
Answer written •
Psychology
5d ago

What kind of ideas is a person with an IQ of 100 unable to grasp?

Gabriel Horn, (IQ 186 Cattell scale; 153 Wechsler.)

27.3k Views

Interesting question!

The difference between 100 and, say, 170, isn’t that great or remarkable. They’re both expressions of highly complex cognitive abilities, and as such merely nuances. It’s really not ‘an added 70%’. More accurately visualized, I’d say something like an extra (most of the time redundant) centimeter to a meter.

With the risk of being too abstract, I suppose the difference could be the ‘intuitive’ appreciation of omnipresent patterns and how these tie into everything all the time, like: interconnectedness of seeming randomness, different resolutions of our context echoing of similarities from micro to macro and vice versa, the mechanistics bringing about evolution, correlation vs. causality, the filtration dismissing pseudoscientific ideas, etc.

For many or most of the highly intelligent people I’ve met, this ‘sense’ is always there and, sort of, ‘pulls’ forward ideas and trajectories in a stream-of-consciousness type of way. For others, it seems, this isn’t there by default, even though it can certainly be called upon and brought forth.

(In terms of specific logical or creative challenges, I suppose anyone will understand anything once it’s explained clearly enough for that person – the challenge then being for the explainer, not the recipient.) [Bold is mine. rho]

Selected and edited from QuoraDOTcom

** **

27 March 2016

       Noon, local time. You spent yesterday afternoon buying nine bags of soil in two trips plus distributing and smoothing the soil in four locations in the front yard near your remaining surviving trees. You then promptly forgot about writing thinking you had nothing to post anyway. – Amorella

       1205 hours. This is not a good sign in terms of my cognitive abilities. Remembering has been a mixed blessing. Alas, my interpretation of Merlyn is suffering from it --not a great self-realization on an Easter morning.

       Such mixed self-humor, orndorff. – Amorella

       1210 hours. And, so goes the world too.

       Evening. Earlier you and Carol watched and enjoyed five episodes of “Doc Martin”. You watched the final of season seven first, then the rest of season one. Carol went up to read and you watched another episode of season four of “X-Files”. – Amorella

       2132 hours. The day has been pleasant. Carol made ham, potatoes, and mixed veggies for Easter dinner and cooked cut apples with cinnamon in a sauce for dessert – a nice surprise. I was going to work in the yard but did not. I did check up on Kim, Paul and the boys; they arrived at their place in Kissimmee. Trust they are having a very good time with their friends.

       Post. – Amorella 

25 March 2016

Notes - Amorella at work / today


       Mid-afternoon. You and Carol are listening to “60’s” Folk Music on Pandora while waiting for Kim, Paul, Owen and Brennan to arrive about four o’clock. Dinner is at Outback tonight. Tomorrow they leave early for Kissimmee, Florida for a week. Staying over saves them two hours of driving tomorrow. - Amorella

       1500 hours. We are always excited to see them, so this is a good event today and tonight.

       I am going to select and edit from Gee’s work downloaded yesterday. - Amorella

** **
Identity Theory

James Gee defines identity as: “Being recognized as a certain ‘kind of person,’ in a given context…” (p.99). Gee talks of identity differences based on social and cultural views of identity and identifies four of these views

each of which are influenced by different forms of power, though they all have an effect on one another.

Gee describes them as “four ways to formulate questions about how identity is functioning for a specific person (child or adult) in a given context or across a set of contexts”.

The first of his identity perspectives is “the nature perspective” representing an identity people cannot control, one that comes from forces of nature; an example would be born male or female.

 “These people always gain their force as identities through the work of institutions, discourse and dialogue, or affinity groups, that is, those who constitute others perspectives on one’s identity”.

“The institutional perspective” refers to identities set by authorities within an institution. An example is a student, whose identity is defined by the school as an institution with rules and traditions the student must follow; such as being a prisoner, or can be a calling for the person, such as being a college professor.
\
The third perspective is the “discursive perspective” referring to an individual trait, such as caring. These identities are a matter of social interaction because “other people treat, talk about, and interact” with the person in ways that bring forth and reinforce the trait. These identities can be placed on a continuum in terms of how active or passive one is in ‘recruiting’ them, that is as merely ascribed to a person versus an active achievement or accomplishment of that person”.

The final identity perspective is the “affinity perspective”. These identities are built by shared experiences as part of an affinity group, a shared “allegiance to, access to, and participation in specific practices”.

Joining these groups must be something the person has chosen to do and feels a part of in order for herorhis identity to be built. “While I [Gee] could force someone to engage in specific practices; [they] really cannot coerce anyone into seeing the particular experiences connected to those practices as the ‘kind of person’ they [actually] are”.

Selected and edited from -- https://en.wikipediaDOTorg/wiki/James_Paul_Gee
Further selected and edited by Amorella for a study of Merlyn’s character in GMG and Notes.

** **

       The boys had their baths and are moving into bed. You had a good dinner at Outback then the boys fed the ducks at Pine Hill Lakes Park then played on the kids’ equipment before a Graeter’s treat – a good evening so far. Post. - Amorella

23 March 2016

Notes - all this for a character study of Merlyn?


       Late morning. While Jill cleans you are off doing errands. Carol is presently looking for a ‘garden seat’ at Lowe’s. – Amorella

       1202 hours. Waiting for Carol at Barnes and Noble after taking a Craftsman tool back to Best Buy after finding it in the trunk – no doubt from the Geek Squad fellow who installed the Garmin backup camera a month or so ago.

       You had lunch at Smashburgers after a stop at Kroger’s and now you are facing west at the far north parking lot of Pine Hill Lakes Park. Carol is on page 118 of Harlen Coben’s Play Dead. Yesterday you discovered a new BBC article on multiple universes. Drop it in here. – Amorella

**  **
BBC Culture
                The Big Questions Universe
                 
                Why there might be many more universes besides our own?
                 
The idea of parallel universes may seem bizarre, but physics has found all sorts of reasons why they should exist.

                By Philip Ball     21 March 2016

Is our Universe one of many?

The idea of parallel universes, once consigned to science fiction, is now becoming respectable among scientists – at least, among physicists, who have a tendency to push ideas to the limits of what is conceivable.

In fact there are almost too many other potential universes. Physicists have proposed several candidate forms of "multiverse", each made possible by a different aspect of the laws of physics.

The trouble is, virtually by definition we probably cannot ever visit these other universes to confirm that they exist. So the question is, can we devise other ways to test for the existence of entire universes that we cannot see or touch?

Worlds within worlds
In at least some of these alternative universes, it has been suggested, we have doppelgängers living lives much like – perhaps almost identical to – our own.

That idea tickles our ego and awakens our fantasies, which is doubtless why the multiverse theories, however far-out they seem, enjoy so much popularity. We have embraced alternative universes in works of fiction ranging from Philip K. Dick's The Man in the High Castle to movies like Sliding Doors.

Indeed, there is nothing new about the idea of a multiverse, as philosopher of religion Mary-Jane Rubenstein explains in her 2014 book Worlds Without End.

In the mid-16th century, Copernicus argued that the Earth is not the centre of the Universe. Several decades later, Galileo's telescope showed him stars beyond measure: a glimpse of the vastness of the cosmos.

So at the end of the 16th century, the Italian philosopher Giordano Bruno speculated that the Universe might be infinite, populated by an infinite number of inhabited worlds.
The idea of a Universe containing many solar systems became commonplace in the 18th Century.

By the early 20th Century, the Irish physicist Edmund Fournier d'Albe was even suggesting that there might be an infinite regression of "nested" universes at different scales, ever larger and ever smaller. In this view, an individual atom might be like a real, inhabited solar system.

Scientists today reject that notion of a "Russian doll" multiverse, but they have postulated several other ways in which multiverses might exist. Here are five of them, along with a rough guide to how likely they are.

The patchwork universe
The simplest multiverse is a consequence of the infinite size of our own Universe.

We do not actually know if the Universe is infinite, but we cannot rule it out. If it is, then it must be divided into a patchwork of regions that cannot see one another.

This is simply because the regions are too far apart for light to have crossed the distance. Our Universe is only 13.8 billion years old, so any regions further than 13.8 billion light years apart are utterly cut off.

To all intents and purposes, these regions are separate universes. But they will not stay that way: eventually light will cross the divide and the universes will merge.

If our Universe really does contain an infinite number of "island universes" like ours, with matter and stars and planets, there must be worlds identical to Earth somewhere out there.
It may sound incredibly unlikely that atoms should come together by chance into an exact replica of Earth, or a replica that is exact except for the colour of your socks. But in a genuine infinity of worlds, even that strange place must exist. In fact, it must exist countless times.

If so, then somewhere almost unimaginably far off, a being identical to me is typing out these words, and wondering if his editor is going to insist on radical revisions. [nice try Phil - ed]

By the same logic, rather farther away there is an entire observable universe identical to ours. This distance can be estimated at about 10 to the power 10 to the power 118 metres.

It is possible that this is not the case at all. Maybe the Universe is not infinite. Or even if it is, maybe all the matter is concentrated in our corner of it, in which case most of the other universes could be empty. But there is no obvious reason why that should be, and no sign so far that matter gets sparser the farther away we look.

The inflationary multiverse
The second multiverse theory arises from our best ideas about how our own Universe began.

According to the predominant view of the Big Bang, the Universe began as an infinitesimally tiny point and then expanded incredibly fast in a super-heated fireball. A fraction of a second after this expansion began, it may have fleetingly accelerated at a truly enormous rate, far faster than the speed of light. This burst is called "inflation".

Inflationary theory explains why the Universe is relatively uniform everywhere we look. Inflation blew up the fireball to a cosmic scale before it had a chance to get too clumpy.

However, that primordial state would have been ruffled by tiny chance variations, which also got blown up by inflation. These fluctuations are now preserved in the cosmic microwave background radiation, the faint afterglow of the Big Bang. This radiation pervades the Universe, but it is not perfectly uniform.

Several satellite-based telescopes have mapped out these variations in fine detail, and compared them to those predicted by inflationary theory. The match is almost unbelievably good, suggesting that inflation really did happen.

This suggests that we can understand how the Big Bang happened – in which case we can reasonably ask if it happened more than once.

The current view is that the Big Bang happened when a patch of ordinary space, containing no matter but filled with energy, appeared within a different kind of space called the "false vacuum". It then grew like an expanding bubble.

But according to this theory, the false vacuum should also experience a kind of inflation, causing it to expand at fantastic speed. Meanwhile, other bubble universes of "true vacuum" can appear within it – and not just, like our Universe, 13.8 billion years ago, but constantly.

This scenario is called "eternal inflation". It suggests there are many, perhaps infinitely many, universes appearing and growing all the time. But we can never reach them, even if we travel at the speed of light forever, because they are receding too fast for us ever to catch up.

The UK Astronomer Royal Martin Rees suggests that the inflationary multiverse theory represents a "fourth Copernican revolution": the fourth time that we have been forced to downgrade our status in the heavens. After Copernicus suggested Earth was just one planet among others, we realized that our Sun is just one star in our galaxy, and that other stars might have planets. Then we discovered that our galaxy is just one among countless more in an expanding Universe. And now perhaps our Universe is simply one of a crowd.
We do not yet know for sure if inflationary theory is true.

However, if eternal inflation does create a multiverse from an endless series of Big Bangs, it could help to resolve one of the biggest problems in modern physics.

Some physicists have long been searching for a "theory of everything": a set of basic laws, or perhaps just a single equation, from which all the other principles of physics can be derived. But they have found there are more alternatives to choose from than there are fundamental particles in the known universe.

Many physicists who delve into these waters believe that an idea called string theory is the best candidate for a "final theory". But the latest version offers a huge number of distinct solutions: 1 followed by 500 zeros. Each solution yields its own set of physical laws, and we have no obvious reason to prefer one over any other.

The inflationary multiverse relieves us of the need to choose at all. If parallel universes have been popping up in an inflating false vacuum for billions of years, each could have different physical laws, determined by one of these many solutions to string theory.

If that is true, it could help us explain a strange property of our own Universe.
The fundamental constants of the laws of physics seem bizarrely fine-tuned to the values needed for life to exist.

For example, if the strength of the electromagnetic force were just a little different, atoms would not be stable. Just a 4% change would prevent all nuclear fusion in stars, the process that makes the carbon atoms our bodies are largely made of.

Similarly, there is a delicate balance between gravity, which pulls matter towards itself, and so-called dark energy, which does the opposite and makes the Universe expand ever faster. This is just what is needed to make stars possible while not collapsing the Universe on itself.

In this and several other ways, the Universe seems fine-tuned to host us. This has made some people suspect the hand of God.

Yet an inflationary multiverse, in which all conceivable physical laws operate somewhere, offers an alternative explanation.

In every universe set up in this life-friendly way, the argument goes, intelligent beings will be scratching their heads trying to understand their luck. In the far more numerous universes that are set up differently, there is no one to ask the question.

This is an example of the "anthropic principle", which says that things have to be the way we find them: if they were not, we would not be here and the question would never arise.

For many physicists and philosophers, this argument is a cheat: a way to evade rather than explain the fine-tuning problem.

How can we test these assertions, they ask? Surely it is defeatist to accept that there is no reason why the laws of nature are what they are, and simply say that in other universes they are different?

The trouble is, unless you have some other explanation for fine-tuning, someone will assert that God must have set things up this way. The astrophysicist Bernard Carr has put it bluntly: "If you don't want God, you'd better have a multiverse".

Cosmic natural selection
Another kind of multiverse avoids what some see as the slipperiness of this reasoning, offering a solution to the fine-tuning problem without invoking the anthropic principle.

It was formulated by Lee Smolin of the Perimeter Institute for Theoretical Physics in Waterloo, Canada. In 1992 he proposed that universes might reproduce and evolve rather like living things do.

On Earth, natural selection favours the emergence of "useful" traits such as fast running or opposable thumbs. In the multiverse, Smolin argues, there might be some pressure that favours universes like ours. He calls this "cosmological natural selection".

Smolin's idea is that a "mother" universe can give birth to "baby" universes, which form inside it. The mother universe can do this if it contains black holes.

A black hole forms when a huge star collapses under the pull of its own gravity, crushing all the atoms together until they reach infinite density.

In the 1960s, Stephen Hawking and Roger Penrose pointed out that this collapse is like a mini-Big Bang in reverse. This suggested to Smolin that a black hole could become a Big Bang, spawning an entire new universe within itself.

If that is so, then the new universe might have slightly different physical properties from the one that made the black hole. This is like the random genetic mutations that mean baby organisms are different from their parents.

If a baby universe has physical laws that permit the formation of atoms, stars and life, it will also inevitably contain black holes. That will mean it can have more baby universes of its own. Over time, universes like this will become more common than those without black holes, which cannot reproduce.

It is a neat idea, because our Universe then does not have to be the product of pure chance. If a fine-tuned universe arose at random, surrounded by many other universes that were not fine-tuned, cosmic natural selection would mean that fine-tuned universes subsequently became the norm.

The details of the idea are a little woolly, but Smolin points out that it has one big advantage: we can test it.

For example, if Smolin is right we should expect our Universe to be especially suited to making black holes. This is a rather more demanding criterion than simply saying it should support the existence of atoms.

The brane multiverse
When Albert Einstein's theory of general relativity began to come to public attention in the 1920s, many people speculated about the "fourth dimension" that Einstein had allegedly invoked. What might be in there? A hidden universe, maybe?

This was nonsense. Einstein was not proposing a new dimension. What he was saying was that time is a dimension, similar to the three dimensions of space. All four are woven into a single fabric called space-time, which matter distorts to produce gravity.

Even so, other physicists were already starting to speculate about genuinely new dimensions in space.

The first intimation of hidden dimensions began with the work of the theoretical physicist Theodor Kaluza. In a 1921 paper Kaluza showed that, by adding an extra dimension to the equations of Einstein's theory of general relativity, he could obtain an extra equation that seemed to predict the existence of light.

That looked promising. But where, then, was this extra dimension? But so far, there is no evidence that this is the case – let alone proof that a black hole really can spawn an entirely new universe.
The Swedish physicist Oskar Klein offered an answer in 1926. Perhaps the fifth dimension was curled up into an unimaginably small distance: about a billion-trillion-trillionth of a centimetre.

The idea of a dimension being curled may seem strange, but it is actually a familiar phenomenon. A garden hose is a three-dimensional object, but from far enough away it looks like a one-dimensional line, because the other two dimensions are so small. Similarly, it takes so little time to cross Klein's extra dimension that we do not notice it.

Physicists have since taken Kaluza and Klein's ideas much further in string theory. This seeks to explain fundamental particles as the vibrations of even smaller entities called strings.

When string theory was developed in the 1980s, it turned out that it could only work if there were extra dimensions. In the modern version of string theory, known as M-theory, there are up to seven hidden dimensions.

What's more, these dimensions need not be compact after all. They can be extended regions called branes (short for "membranes"), which may be multi-dimensional.

A brane might be a perfectly adequate hiding place for an entire universe. M-theory postulates a multiverse of branes of various dimensions, coexisting rather like a stack of papers.

If this is true, there should be a new class of particles called Kaluza-Klein particles. In theory we could make them, perhaps in a particle accelerator like the Large Hadron Collider. They would have distinctive signatures, because some of their momentum is carried in the hidden dimensions.

These brane worlds should remain quite distinct and separate from each other, because forces like gravity do not pass between them. But if branes collide, the results could be monumental. Conceivably, such a collision could have triggered our own Big Bang.
It has also been proposed that gravity, uniquely among the fundamental forces, might "leak" between branes. This leakage could explain why gravity is so weak compared to the other fundamental forces.

As Lisa Randall of Harvard University puts it: "if gravity is spread out over large extra dimensions, its force would be diluted."

In 1999, Randall and her colleague Raman Sundrum suggested that the branes do not just carry gravity, they produce it by curving space. In effect this means that a brane "concentrates" gravity, so that it looks weak in a second brane nearby.

This could also explain why we could live on a brane with infinite extra dimensions without noticing them. If their idea is true, there is an awful lot of space out there for other universes.

The quantum multiverse
The theory of quantum mechanics is one of the most successful in all of science. It explains the behaviour of very small objects, such as atoms and their constituent fundamental particles. It can predict all kinds of phenomena, from the shapes of molecules to the way light and matter interact, with phenomenal accuracy.

Quantum mechanics treats particles as if they are waves, and describes them with a mathematical expression called a wave function.

Perhaps the strangest feature of a wave function is that it allows a quantum particle to exist in several states at once. This is called a superposition.

But superpositions are generally destroyed as soon as we measure the object in any way. An observation "forces" the object to "choose" one particular state.

This switch from a superposition to a single state, caused by measurement, is called "collapse of the wave function". The trouble is, it is not really described by quantum mechanics, so no one knows how or why it happens.

In his 1957 doctoral thesis, the American physicist Hugh Everett suggested that we might stop fretting about the awkward nature of wave function collapse, and just do away with it.

Everett suggested that objects do not switch from multiple states to a single state when they are measured or observed. Instead, all the possibilities encoded in the wave function are equally real. When we make a measurement we only see one of those realities, but the others also exist.

This is known as the "many worlds interpretation" of quantum mechanics.

Everett was not very specific about where these other states actually exist. But in the 1970s, the physicist Bryce DeWitt argued that each alternative outcome must exist in a parallel reality: another world.

Suppose you conduct an experiment in which you measure the path of an electron. In this world it goes one way, but in another world it goes another way.

That requires a parallel apparatus for the electron to pass through. It also requires a parallel you to measure it. In fact you have to build an entire parallel universe around that one electron, identical in all respects except where the electron went.

In short, to avoid wave function collapse, you must make another universe.
This picture really gets extravagant when you appreciate what a measurement is. In DeWitt's view, any interaction between two quantum entities, say a photon of light bouncing off an atom, can produce alternative outcomes and therefore parallel universes.

As DeWitt put it, "every quantum transition taking place on every star, in every galaxy, in every remote corner of the Universe is splitting our local world on earth into myriads of copies."

Not everyone sees Everett's many-worlds interpretation this way. Some say it is largely a mathematical convenience, and that we cannot say anything meaningful about the contents of those alternative universes.

But others take seriously the idea that there are countless other "yous", created every time a quantum measurement is made. The quantum multiverse must be in some sense real, they say, because quantum theory demands it and quantum theory works.

You either buy that argument or you do not. But if you accept it, you must also accept something rather unsettling.

The other kinds of parallel universes, such as those created by eternal inflation, are truly "other worlds". They exist somewhere else in space and time, or in other dimensions. They might contain exact copies of you, but those copies are separate, like a body double living on another continent.

In contrast, the other universes of the many-worlds interpretation do not exist in other dimensions or other regions of space. Instead, they are right here, superimposed on our Universe but invisible and inaccessible. The other selves they contain really are "you".

In fact, there is no meaningful "you" at all. "You" are becoming distinct beings an absurd number of times every second: just think of all the quantum events that happen as a single electrical signal travels along a single neuron in your brain. "You" vanish into the crowd.

In other words, an idea that started out as a mathematical convenience ends up implying that there is no such thing as individuality.

Testing the multiverse
Given the strange implications of parallel universes, you might be forgiven some skepticism about whether they exist.

But who are we to judge what is weird and what is not? Scientific ideas stand or fall, not by how they "feel" to us, but by experimental testing.

And that is the problem. An alternative universe is separate from our own. By definition, it is beyond reach and out of sight. On the whole, multiverse theories cannot be tested by looking for those other worlds.

Yet even if other universes cannot be experienced directly, it might be possible to find evidence to support the reasoning behind them.

For example, we could find strong evidence for the inflationary theory of the Big Bang. That would strengthen, but not prove, the case for an inflationary multiverse.

Some cosmologists have proposed that an inflationary multiverse might be more directly tested. A collision between our expanding bubble universe and another one should leave detectable traces in the cosmic microwave background – if we were close enough to see them.

Similarly, experiments envisaged for the Large Hadron Collider could search for evidence of the additional dimensions and particles implied by the braneworld theory.

Some argue that experimental verification is over-rated anyway. They say we can gauge the validity of a scientific idea by other means, such as whether it rests on sound logic spun from premises that do have observational support.

Finally, we might make statistical predictions.

For example, we could use the inflationary multiverse theory to predict which values of the physical constants would be expected in most universes, and then see whether these are close to the ones we see – on the basis that there is no reason to expect us to be anywhere special in the multiverse.

At any rate, it does seem odd that the multiverse keeps cropping up wherever we look. "It's proven remarkably hard to write down a theory which produces exactly the universe we see and nothing more," says physicist Max Tegmark.

Even so, it is not clear that newspaper headlines will announce the discovery of another universe any time soon. Right now, these ideas lie on the border of physics and metaphysics.

In the absence of any evidence, then, here is a rough-and-ready – and frankly subjective – ranking of the probabilities of the various multiverses, the most likely first.

The patchwork multiverse is hard to avoid – if our Universe really is infinite and uniform.
Cosmic natural selection is an ingenious idea but involves speculative physics, and there are a lot of unanswered questions.
Brane worlds are far more speculative, because they can only exist if all those extra dimensions do, and there is no direct evidence of that.
The quantum multiverse is arguably the simplest interpretation of quantum theory, but it is also vaguely defined and leads to an incoherent view of selfhood.

http://www.bbcDOTcom/earth/story/20160318-why-there-might-be-many-more-universes-besides-our-own?ocid=ww.social.link.facebook

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       1449 hours. Yesterday Heather and others responded to the BBC article on my Facebook page.

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       ‪Heather Waymouth /react-text -- Have you looked at any of the research on the multiplicity of identity? Some runs parallel to the idea of multiple literacies and disciplinary literacies which excites me. Check out James Gee's work on discourses or Elizabeth Birr Moje's work on literacy and identity. Not necessarily universes within but at least dimensions! I read something recently about looking at identity as a prism as well... I'll try to find that one for you too.‬

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       1528 hours. I found more relevant (to me) information on Gee. His ideas do show a different way of relating to a person’s character.

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James Paul Gee
From Wikipedia, the free encyclopedia

James Gee born April 15, 1948) is a researcher who has worked in psycholinguistics, discourse analysis, sociolinguistics, bilingual education and literacy. Gee is currently the Mary Lou Fulton Presidential Professor of Literacy Studies at Arizona State University, originally appointed there in the Mary Lou Fulton Institute and Graduate School of Education. Gee is a faculty affiliate of the Games, Learning and Society group at the University of Wisconsin – Madison and is a member of the National Academy of Education. . . .
Discourse/discourse

In his work in social linguistics, Gee explored the concept of Discourse ("big D" Discourse). In Gee's work, discourse ("little d") refers to language-in-use. When discussing the combination of language with other social practices (behavior, values, ways of thinking, clothes, food, customs, perspectives) within a specific group, Gee refers to that as Discourse. Individuals may be part of many different Discourse communities, for example “when you ‘pull-off’ being a culturally specific sort of ‘everyday’ person, a ‘regular’ at the local bar…a teacher or a student of a certain sort, or any of a great many other ‘ways of being in the world’” (p. 7).

Discourse Communities

Furthermore, being able to function within a Discourse may carry advantages in different situations. For example, if a person is raised in a family of lawyers, the Discourses of politics or business may come very easily to that person. In the United States, those are all Discourses of power and they are closely related. Another person raised in a very different Discourse community might find himself or herself at a disadvantage when trying to move within the Discourse of business, trying to get a loan, for instance. One Discourse community is not inherently better than another; however, power within a society may be unequally represented within different Discourses.

Situated Language

In Gee's view, language is always used from a perspective and always occurs within a context. There is no 'neutral' use of language. Meaning is socially constructed within Discourse communities.

New Literacies

According to Gee, there are at least two reasons why we should consider literacy in broader terms than the traditional conception of literacy as the ability to read and write. First, in our world today, language is by no means the only communication system available. Many types of visual images and symbols have specific significances, and so “visual literacies” and literacies of other modes, or the concept of multimodal literacy, are also included in Gee’s conception of new literacies. Second, Gee proposes that reading and writing (the ‘meat’ of literacy according to the traditional notion of the term) are not such obvious ideas as they first appear. “After all,” he states, “we never just read or write; rather, we always read or write something in some way”. In other words, according to which type of text we read there are different ways in which we read depending on the “rules” of how to read such a text. Literacy to Gee, even if it is the traditional print-based literacy, should be conceived as being multiple, or comprising different literacies, since we need different types of literacies to read different kinds of texts in ways that meet our particular purposes in reading them.

Furthermore, Gee also argues that reading and writing should be viewed as more than just “mental achievements” happening inside people’s minds; they should also be seen as “social and cultural practices with economic, historical, and political implications”. So, in Gee’s view, literacies are not only multiple but are inherently connected to social practices. In order to expand the traditional view of literacy as print literacy, Gee recommends that we think first of literacy in terms of semiotic domains. By this, he means “any set of practices that recruits one or more modalities (e.g., oral or written language, images, equations, symbols, sounds, gestures, graphs, artifacts, etc.) to communicate distinctive types of meanings”. There is a seemingly endless and varied range of semiotic domains, including (but certainly not limited to) cellular biology, first-person-shooter video games, rap music, or modernist painting. Most pundits would describe this conception of literacies as a key element in what has come to be known as the New Literacy Studies. In short, this theoretical and methodological orientation emphases studying language-in-use and literacies within their contexts of social practice. It includes work by colleagues such as Brian Street, Gunther Kress, David Barton, Mary Hamilton, Courtney Cazden, Ron Scollon, and Suzie Scollon, among others.

Gee's current work in the field of new literacies has seen him shift in his research focus somewhat from studying language-in-use to examining the Discourses of a range of new social practices—with a particular emphasis on video games and learning. Gee applies many key concepts from his previous research to studying video games. For example, Gee continues to argue that if we take reading to mean gaining understanding (instead of simply decoding letter sounds and words), one needs to be able to recognize or produce meanings inherent to any one semiotic domain in order to be literate in that domain. As such, and as Gee sets out in his text What Video Games Have to Teach Us About Learning and Literacy, one can be literate in the semiotic domain of video games if he or she “can recognize (the equivalent of “reading”) and/or produce (the equivalent of “writing”) meanings” in the video game domain. Therefore, because new literacies are multiple and attached to social and cultural practices, Gee explains that people need to (1) be literate in many different semiotic domains, and (2) be able to become literate in other *new* semiotic domains throughout their lives. This theoretical orientation aligns with work in the broad field of "new literacies" research—by colleagues such as Colin Lankshear, Michele Knobel, Henry Jenkins, Kevin Leander, Rebecca Black, Kurt Squire, and Constance Steinkuehler, , among others.

Games

More recently, Gee's work has focused on the learning principles in video games and how these learning principles can be applied to the K-12 classroom. Video games, when they are successful, are very good at challenging players. They motivate players to persevere and simultaneously teach players how to play. Gee began his work in video games by identifying thirty-six learning principles that are present in - but not exclusive to - the design of good video games. Gee argues for the application of these principles in the classroom. Gee's video game learning theory includes his identification of twelve basic learning principles. He identifies these as: 1) Active Control, 2) Design Principle, 3) Semiotic Principle, 4) Semiotic Domain, 5) Meta-level Thinking, 6) Psychosocial Moratorium Principle, 7) Committed Learning Principle, 8) Identity Principle, 9) Self-knowledge Principle, 10) Amplification of Input Principle, 11) Achievement Principle, 12) Practice Principle, 13) Ongoing Learning Principle, 14) Regime of Competence Principle.

Good Learning Principles in Video Games

Gee condenses and clusters these principles even more closely in an article following the publication of his video games and learning book. Gee believes good education involves “applying the fruitful principles of learning that good game designers have hit on, whether or not we use a game as a carrier of these principles" (p. 6). Thus, Gee organizes the condensed list of good learning principles is in three student-centered, classroom-friendly clusters: “Empowered Learners; Problem Solving; Understanding" (p. 6).

Under Empowered Learners, Gee includes the learning principles of “co-design,” “customize,” “identity,” and “manipulation and distributed knowledge.” These principles incorporate the idea that an engaged student is active in designing and customizing their own learning experience, can learn by taking on new identities (e.g. in explore career paths or specialized skill sets in simulated roles), and feels “more expanded and empowered when they can manipulate powerful tools in intricate ways that extend their area of effectiveness" (p. 8).

The Problem Solving category includes the learning principles of “well-ordered problems,” “pleasantly frustrating,” “cycles of expertise,” “information ‘on demand’ and ‘just in time,’” “fish tanks,” “sandboxes,” and “skills as strategies.” In these first three principles, Gee argues, the scaffolding and ordering of problems learners face is key in keeping them right at their Zone of Proximal Development in different levels of skill-building. For each of these levels, Gee specifies key elements (present in the latter four learning principles): carefully prioritized information, relevant and applicable facts, and a set of related skills with which to construct strategies in a safe and authentic context.

In Gee’s cluster of Understanding principles, he includes “system thinking,” and “meaning as action image.” In “system thinking”, students have an overview of their learning context as a distinct system with its own naturally reinforced set of behaviors and embedded values. Here, the meanings of words and concepts become clear – not through “lectures, talking heads, or generalities" (p. 14) – but through the experiences the players/students have (“meaning as action image”).

Gee's other principles as found on page 64 of his 2007 book, What Video Games have to Teach us about Learning and Literacy, are: "Psychosocial Moratorium" principle, Committed Learning Principle, Identity Principle, Self-Knowledge Principle, Amplification of Input Principle, and Achievement Principle. Additionally, in the book on page 68, Gee further lists the Practice Principle, Ongoing Learning Principle, and the "Regime of Competence" Principle.

Identity Theory

James Gee defines identity as: “Being recognized as a certain ‘kind of person,’ in a given context…” (p.99). Gee talks of identity differences based on social and cultural views of identity and identifies four of these views, each of which are influenced by different forms of power, though they all have an effect on one another. Gee describes them as “four ways to formulate questions about how identity is functioning for a specific person (child or adult) in a given context or across a set of contexts” (p. 101).

The first of Gee’s identity perspectives is what he calls “the nature perspective (or N-identities)” (p. 101). N-identity represents an identity people cannot control, one that comes from forces of nature. An example of this type of identity would be male or female. While the person has no control over the sex they were born with, this identity only means something because society and culture say this biological difference is important. Gee explains this idea further by stating, “N-identities must always gain their force as identities through the work of institutions, discourse and dialogue, or affinity groups, that is, the very forces that constitute our other perspectives on identity” (p. 102).

“[T]he institutional perspective (or I-identities)” (p. 102) refers to identities set by authorities within an institution. An example of an I-identity is a student, whose identity is defined by the school as an institution with rules and traditions the student must follow. Gee claims these I-identities can be something imposed on a person, such as being a prisoner, or can be a calling for the person, such as being a college professor. The third perspective Gee identifies is the “discursive perspective (or D-identities)” (p. 103). D-identity refers to an individual trait, such as caring. D-identities are a matter of social interaction that only become identities because “other people treat, talk about, and interact” with the person in ways that bring forth and reinforce the trait (p. 103). According to Gee “D-identities can be placed on a continuum in terms of how active or passive one is in ‘recruiting’ them, that is, in terms of how much such identities can be viewed as merely ascribed to a person versus an active achievement or accomplishment of that person” (p. 104).

The final identity perspective Gee identifies is the “affinity perspective (or A-identities)” (p. 105). A-identities are built by shared experiences as part of an affinity group, which according to Gee’s definition is a group that share “allegiance to, access to, and participation in specific practices” (p. 105). Joining these groups must be something the person has chosen to do and feels a part of in order for the A-identity to be built. Gee explains this further by stating, “While I could force someone to engage in specific practices, I really cannot coerce anyone into seeing the particular experiences connected to those practices as constitutive (in part) of the ‘kind of person’ they are” (p. 106).

Selected and edited from -- https://en.wikipediaDOTorg/wiki/James_Paul_Gee

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       More on this tomorrow, boy, only we will reference this all to Merlyn himself, as the singular character in your stories. Post. – Amorella

       2141 hours. This is a surprise. I have no idea how this ‘character study’ is coming or going. Interesting though.