14 February 2014

Notes - dignity / luminosity / (final) Dead 17 / (final) Brothers 17 / Problems to Address

         Mid-morning. You have returned from Bethesda and are waiting for Carol at the Tylersville Kroger. She wants to cook a roast for a change of pace. You bought her a Valentine card but cannot remember where you put it. She thinks she knows where your card is but you have your doubts. It is supposed to snow two to four inches beginning around noon. Obviously Winter is not over.  Kroger’s parking lot is packed. You would just as soon have chili for the next couple of days though presently you are not hungry. Any thoughts, orndorff? – Amorella

         1017 hours. Not really, except I would just a soon be taking a nap. Jay N. sent me some beautiful National Geographic-like photos of people in tribes that are fading away. Each displays a sense of dignity, which may be a part of human nature that I have not covered. I will have to think on how to describe it in words. Too much of such display could be interpreted as haughtiness or prideful arrogance. With dignity there is a thin line of acceptance, of saying “I am as everyone else, a human being.”

         You cannot help but to flash to the naked man sitting with leg crossed in the European manner on a plain wooden chair, resting after his liberation from one of the German concentration camps. He sat unfettered by the fact he was naked, in fact he sat like he was fully dressed in formal attire. – Amorella

         1029 hours. When Bob and I were in the top floor archives of National Holocaust Museum in Washington DC, we were told his name and the camp. I should have written it down.

         Presently Carol is reading the paper while you type. You are at McD’s on Kings Mills Road watching traffic after taking the groceries home. You did exchange cards but no candy as there is candy left from Carol’s luncheon that did not take place a week ago. Let’s go to Chapter Seventeen, as you are eager for something to do. – Amorella

         You completed The Dead Seventeen segment and are looking for a theme word since you also completed the chapter reading. – Amorella

         1157 hours. I want to say ‘gully wash’ – a quick flood roaring down a dry desert channel that could also be construed as a tear, a tear developing from nothing consciously known. It is rather complicated.

         Luminosity is what you are looking for, orndorff. – Amorella

** **
luminosity - noun

luminous quality: acrylic colors retain freshness and luminosity.

• Astronomy the intrinsic brightness of a celestial object (as distinct from its apparent brightness diminished by distance).

• Physics the rate of emission of radiation, visible or otherwise.

Edited from the Oxford-American software

** **

         1217 hours. Are you comparing light with dignity?

         Human dignity is an intrinsic brightness in character and it is not diminished by distance as you can readily observe this in a photograph. – Amorella

** **
dignity - noun

the state or quality of being worthy of honor or respect: a man of dignity and unbending principle | the dignity of labor.

• a composed or serious manner or style: he bowed with great dignity.

• a sense of pride in oneself; self-respect: it was beneath his dignity to shout.

• a high or honorable rank or position: he promised dignities to the nobles in return for his rival's murder.

Edited from the Oxford-American software

** **

         1224 hours. I don’t like the definition of dignity here. None applies in my mind. I cannot help but think of Skinner’s Beyond Freedom and Dignity.

** **
Beyond Freedom and Dignity

Beyond Freedom and Dignity is a book written by American psychologist B. F. Skinner American and first published in 1971. The book argues that entrenched belief in free will and the moral autonomy of the individual (which Skinner referred to as "dignity") hinders the prospect of using scientific methods to modify behavior for the purpose of building a happier and better-organized society.
Beyond Freedom and Dignity may be summarized as an attempt to promote Skinner's philosophy of science, the technology of human behavior, his conception of determinism, and what Skinner calls 'cultural engineering'.
Synopsis

The book is organized into nine chapters.
A Technology of Behavior

In this chapter Skinner argues that a technology of behavior is possible and that it can be used to help solve currently pressing human issues such as over-population and warfare. "Almost all major problems involve human behavior, and they cannot be solved by physical and biological technology alone. What is needed is a technology of human behavior."
Freedom

In this chapter Skinner argues for a more precise definition of freedom, one that allows for his conception of determinism (action that is free from certain kinds of control), and speaks to the conventional notion of freedom. Skinner argues against "autonomous man".
Skinner notes that the forces of Freedom and Dignity have led to many positive advances in the human condition, but may now be hindering the advance of a technology of human behavior: "literature of freedom has been successful in reducing the aversive stimuli used in intentional control, but it has made the mistake of defining freedom in terms of states of mind or feelings..."
Dignity

Dignity is the process by which people are given credit for their actions, or alternatively punished for them under the notion of responsibility. Skinner's analysis rejects both as "dignity" – a false notion of inner causality, which removes both credit for action and blame for misdeeds, "the achievements for which a person himself is to be given credit seem to approach zero."
Skinner notes that credit is typically a function of the conspicuousness of control. We give less or no credit, or blame, to those who are overtly coached, compelled, prompted or otherwise not appearing to be producing actions spontaneously.
Punishment

Skinner saw punishment as the logical consequence of an unscientific analysis of behavior as well as the tradition of "freedom and dignity". Since individuals are seen to be making choices they are then able to be punished for those choices. Since Skinner argued against free will he therefore argued against punishment which he saw to be ineffective in controlling behavior.
Alternatives to Punishment

Skinner notes that the previous solutions to punishment are often not very useful and may create additional problems. Permissiveness, the metaphor of mid-wifery (or maieutics), "guidance", a dependence on things, "changing minds", all contain either problems or faulty assumptions about what is going on.

Skinner argues that this mis-understanding of control championed by the defenders of freedom and dignity "encourage s the misuse of controlling practices and block progress towards a more effective technology of behavior."
Values

Skinner notes a 'pre-scientific' view of man allows for personal achievement. The 'scientific view' moves human action to be explained by species evolution and environmental history
Skinner speaks to feelings about what is right, as well as popular notions of "good". Skinner translates popular words and phrases around value issues into his view of contingencies of reinforcement. Skinner notes that even if the technology of behavior produces "goods" to improve human life, they expose environmental control, which is offensive to the "freedom and dignity" perspective.
The Evolution of a Culture

Skinner suggests that cultural evolution is a way to describe the aggregate of (operant) behavior. A culture is a collection of behavior, or practices Skinner addresses “social Darwinism” and argues that as a justification of the subordination of other nations or of war competition with others is a small part of natural selection. A much more important part is competition with the physical environment itself. Skinner relates the idea of cultural evolution back to the question of values: whose values are to survive?
The Design of a Culture

Skinner notes that cultural design is not new, but is already existing and on-going. Skinner notes that most discussions of current problems are dominated by metaphors, concerns for feelings and states of mind, which do not illuminate possible solutions. Skinner notes that 'behavior modification’ is ethically neutral
Skinner notes that Utopian speculations, like his novel Walden Two are a kind of cultural engineering. He then devotes much of the rest of this chapter to addressing the criticisms and complaints against cultural engineering.
What is Man?

Skinner again addresses the notion of the individual, and discusses how aspects of a person's character could be assigned to environmental factors. He also covers cognition, problem solving, self-control and counters some arguments or possible misconceptions. Skinner notes that his analysis does not "leave an empty organism". Skinner addresses the issue of mechanical models of human action, which are better addressed elsewhere. Skinner notes that, "The evolution of a culture is a gigantic effort in self-control." and ends with, "A scientific view of man offers exciting possibilities. We have not yet seen what man can make of man."
Walden Two

Beyond Freedom and Dignity is consistent with Waldon Two, a 1948 novel by Skinner, depicting a utopian community based on his ideas regarding behavior modification. In Beyond Freedom and Dignity Skinner extends his argument for explicit cultural engineering of which Walden Two may be seen as an example. At a Walden Two community named Los Horcones, cultural engineering is practiced frequently.
Criticisms

Linguist Noam Chomsky wrote influential works attacking Skinner's methods and conclusions. Chomsky devoted much of the essay "The Case Against B.F. Skinner" to attacking 'Beyond Freedom and Dignity' as well as more general attacks on behaviorism and empiricism.
Other critics include Ayn Rand, whose 1971 article "The Stimulus and the Response" is an extended attack on 'Beyond Freedom and Dignity' and a commentary on the significance of its reception.

Edited from Wikipedia Offline.

** **

         1240 hours. “O, brave new world to have such people in’t.” Such is the famous line. Behavior modification. I never understood what people have against something that we already do naturally. Call it cultural modification by any other word it makes no difference. Parental control I suppose is the name the marsupial-humanoids give to it.

         You are home after lunch at Penn Station and an errand run to the bank. The snow began an hour ago and now is falling in large flakes with the driveway already covered. What do you think, orndorff? – Amorella

         1407 hours. I wonder how the marsupial humanoids will explain their cultural heritage in book two?

         Look up the definition of a ‘parent’. – Amorella

** **
parent noun

a father or mother: the parents of the bride | his adoptive parents.

• [ often as modifier ] an organization or company that owns or controls a number of subsidiary organizations or companies: policy considerations were determined largely by the parent institution.

verb [ with obj. ] (often as noun parenting)
[to] be or act as a mother or father to (someone): the warmth and attention that are the hallmarks of good parenting.

Selected and edited from the Oxford-American software

** **
         1445 hours. I had not thought of a ‘parent’ company. Somehow I see some ironic humor in this.

         Good for you, boy. Friendly has to blend their concepts with earthy capitalism as much as possible, don’t you think? – Amorella

         It would make sense, but other than for the quick remark of wit in discussion I can’t see how she can make such a case even in explanation.  I am ready for a nap.

         By all means, boy. Add the segment and post. - Amorella

***

(final) The Dead 17 ©2014, rho GMG.One

            The observer changes what is observed, thought Merlyn as sat facing south toward the meadow of ragged robin and white foxglove from the stage ruins in his sanctuary. He groused, "I am watched and even read." How does this entanglement change me?
            I can only read my own mind through it as a measuring device. I measure the human heart through my own first, and I measure my soul through my intuition of the conditional aspects of what others and myself consider the soul to be. These are as rays of light filtered through a deepened, dark-bottomed water-like consciousness, which rises or sinks as an alter ego, a presence of my own making forever without a mirrored reflection.
            This presence is also an observer but separate and unlike myself -- a parallel and unequal self -- a natural doppelganger of spirit, this is the non-shadowed presence. This is a sensory experience, a human experience, be the spirit encased in living matter or no. The lingering awareness of 'a separate being' in heartansoulanmind exists nevertheless.
            Merlyn fell into a memory of Plutarch, whom he met at the Academy of Athens when Plutarch was in a parallel and entangled memory. Plutarch was stand with his friend Senecio and their discussion was on how long consciousness would last after death.

            "Excuse me," uttered Merlyn, "Did I overhear that one of you is Plutarch of Chaeronea, the once senior priest at Delphi?"
            "I am," commented the Greek on the right. "And you are?"
            "Merlyn, a man interested in the arts, living some six hundred years after yourself and your friend, Senecio, I presume."
            "Yes, I am," responded Senecio somewhat interested, "And you are which Merlyn?"
            "Merlyn, a Scottish bard of the seventh century."
            "I know of you Merlyn," noted Plutarch. "You are interested in Pythia."
            "And, yourself," divulged Merlyn. "I see we are engaged through channeled memories."
            "Astute of you."
            "I would like to meet Pythia."
            Plutarch smiled confidently, "Why?"
            Merlyn spoke distinctly and clearly, "I want to meet Pythia in a tranced mind."
            In a manner echoing Merlyn's, Plutarch asserted, "We two have a similar interest at heart."
            "Dead, does she still make pronouncements?"
            "An oracle needs not, Delphi or any other place. Besides, what is more sacred than Elysium?"
            Merlyn observed Senecio smiling then nodding politely before fading like worn colors in a rainbow and an old ornery thought wandered into sight quietly suggesting, 'Perhaps, Senecio, Avalon is more sacred than Elysium'.
            "Senecio and I will talk later, Merlyn."
            Merlyn turned to his left to see an attending fair and vibrant female physique personify from air. I am reminded of the sword thrust only this graceful fresh hand grasps the blade and pull rather than push from the hilt.
            "Xaire, Pythia, how kind of you to join us," commented the now world-weary Plutarch in the land of the ancient Greek Dead.

            Pythia appears Celtic rather than Greek, thought Merlyn. Coal black hair falling near, parsing her wide-open green eyes slanting his direction as thin theatre curtains. 'What a wonderfully well looking woman you were in life' flew into his mind as he bowed slightly and said, "I am Merlyn, a sage of Caledonia, old Scotland."
            "I know your name," commented Pythia.
            "I am not yet born to physically die and move on."
            She noted, "Yet here you are, and we three talk together as though we three are livingandead at once."
            "We speak through our heartsanminds," recited Merlyn confidently, "not our souls as you think."
            "The soul is first," disciplined Plutarch, "our souls gathered for this meeting."
            "Souls do not display purpose," revealed Merlyn unapologetically. He asked, "I cannot foresee the future and am looking for a clue as to how the Second Rebellion will help or hinder the future Living?"
            While seemingly speaking from her soul, Pythia remarked, "I see your many eyes, Merlyn."           
            Merlyn's hand rose gently and he touched her left cheek without caution saying, "I have only the two common eyes I had in life."
            Plutarch grumbled, "You cannot be alive and dead both at once. This is a dangerous illusion Merlyn. This meeting is in a fact, unconstructible."
            Pythia gathered her face into Plutarch and reasoned, "I know what Merlyn wishes and you may speak my response to him."
            "The lumpiness under a bushy tops hold the dusty desert to the ground, Merlyn," said Plutarch in feminine voice, "While the small wind-made dry furrowing arteries blast free from below the bushy tops."
            "A riddle for the Living, not for me," declared Merlyn with a grin.
            Coiling within mind Pythia whispered to the inner heart of her oldest of old friends Plutarch, "This man walks with eyes in the soles of his feet, and I swear that upon the touch of his finger on my cheek I felt a tear."

***


         2046 hours. I completed Brothers 17 with some minor corrections in specifics making it easier to follow, at least that was the intent.

         You napped this afternoon and worked on tax papers to take up to Andy your financial agent on Monday, watched part of NBC News because you forgot to record it. You also ran off and filled out three pages of paperwork for seeing the hand surgeon on Tuesday morning. Add the segment and post. – Amorella

***

(final) The Brothers 17 ©2014, rho GMG.One

            Robert and Richard sat on a bench with their eyes towards College Park’s Lake Major; Lake Minor is just out of sight to the west. The large roofed picnic table area sits to the northeast between the two lakes in Riverton's favorite park with two lakes, a stream and surrounding woods. Flowers, mowed grass, a Kid's Play Area and meadowland for birds and other critters. They focused on the great blue heron fishing near the west bank. He stood solidly patient with a closed wingspan, more than six feet open winged. Yellow beaked with black plumes running the neckline.
            A wingspan of more than six feet, thought Robert, that's about my height; it is a magnificently solid feathered bird standing in its natural habitat.
            "We used to come here as kids; almost more fun than the cemetery," commented Richard.
            "I remember coming here with the girls our senior year  -- old Riverton High, Class of 1960." He thought, now it's a refurbished honors elementary school.
            "I was dating Connie," said Richard.
            "And, I, Cyndi." Robert smiled in the pause. "Here we are seventy; a long road since seventeen." Both laughed.
            "How did it come to this? You a retired surgeon and me a retired professor, who would have thought."
            "We were both in Air Force ROTC at John Knox. We were going to make it a career,” said Robert.
            Richard added, "And the girls were both at Case Western Reserve for nursing degrees our sophomore year.
            Robert continued to focus on the heron, quiet and patient, like myself he thought.
            Suddenly the great blue let out a discordant screeching.
            "He sounds like a dinosaur in an old movie."
            "Unmerciful," said Rob. "Why the squawk?" They watched the wings rise as if they were going to pull his five-pound body out of the water with a single flap.
            "It is an intentional acts of will. He stands down wings in place."
            It is an existential act. We raised our wings once and it kept the girls and us together," declared Richard.
            "We four were always attracted to one another," injected Robert. "Look, the heron is back to stalking a fish."
            "You failed the ROTC physical in the Spring and in the Fall the Cuban Missile Crises loomed."
            "It was our junior year. We thought we going to die in a nuclear holocaust brought on by arrogance and accident."
            "That was an existential world drama if there ever was one," expressed Robert. "We thought we were going to die. If the Russian ship did not stop a news report said we would see the beginning of a war few would survive."
            "I remember that if the missiles were fired from Cuba we would have about twenty minutes. We both wanted to call the girls but the frat house phone was busy," said Richard. He chuckled dark humouredly. "I was taking World Drama from Dr. C that semester. It was either Ionesco’s  "The Chairs" or Beckett's Waiting for Godot. In any case the class focus was the Theatre of the Absurd during those days."
            Robert responded, "The missile crisis was absurdly real."
            Richard nodded, "Just like that blue heron, a fish just jumped, he focused, caught and swallowed him down. Reflex to survive." He paused, "Maybe all that intelligence and patience was the same; the chips were down and humanity had a reflex to survive the moment."
            "Another kind of reflex could have brought a nuclear holocaust," reckoned Robert.
             "I willed my way through graduate school; and you through medical school. That was real drama."
            Robert stayed matter-of-fact, "We married our high school sweethearts. We became who we are, fathers; as did Connie and Cyndi who became registered nurses and then mothers."
            In quiet honesty Richard asked, "What real difference did it make as to which one each married whom?"
            "I'm sure Connie and Cyndi know. They made the choice as to who was marrying whom not us. You do know that don't you Richie?"
            "I guess. I don't really like to think on it. The girls used their free will; to each, marriage was an existential act, but for us marriage was a kind of indifference." Caught in the embarrassment, both laughed nervously.
            "It is like they were the identical twins, not us," quipped Rob unexpectedly.
            "Very bizarre." Both laughed. Richie shook his head, "Never thought of it like that. Hey, we both loved both girls equally. I don't think it really made any difference."
            "And we still do love them."           
            "Very odd. Sometimes life almost doesn't seem real does it? I mean here we are, seventy years old sitting on a park bench watching the birds."
            "It's real enough, bro. Wait until we get home to our significant other." Both laughed knowingly.

***

            2055 hours. Ever since you had me add Diplomat’s blog I have had it in the back of my mind – what to do? She has not been forthcoming and it just existing – Waiting for Godot – so to speak. Instead I find myself directed toward finishing this final draft so I can move on to volume two of GMG. And, another problem. I had forgot that Hartolite has a hybrid child who is now six years old and living with Hartolite’s family group I assume. So far, this has not come up in the book and I feel this needs to be addressed. I cannot change what was readily readable in the first Merlyn series. It is just like Uncle Ernie wanted to know what happens to the marsupial humanoids by the end of book three. I promised him I would address this. And, as far as that goes as this is a re-write Diplomat isn’t born yet nor is Hartolite’s son for that matter. You can see I am at loose ends here. I have to find a way to address this. I do feel I have an obligation to give these new editions away free, especially to those who bought the now draft editions. I see the importance of the re-writing this book, it is more solidly constructed with fewer frayed wires so to speak. I have nothing more to say but I’m done.

          Add a headline here titled “Problems to Address”. All for tonight boy. - Amorella

         2120 hours. I am beginning to realize I cannot have Diplomat growing any more than she was in the original third book. I might as well scuttle her blog. What was I thinking?

         You have a lot on your plate boy and sometimes you have to eat it. You want Diplomat to grow because she is in your nature. You are growing in her place so to speak. Keep her blog but write in an explanation for now. You have to work your way through the revision of book two first. Besides, it is possible to work Diplomat up to age 14 in book three. – Amorella

         2129 hours. Indeed, work her up to age 14. I would like that. One problem is possibly resolved at least for now.


         Add and post. - Amorella

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