1233 hours. This is an interest blog article.
Later in the afternoon. You drove in to
Kenwood for Potbelly’s sandwiches, hybrid v. electric cars was the subject of
conversation (you both decided electrics are not practical enough for your
lifestyle. Carol drove home stopping for a couple errands on the way. The
humidity is up so you came home rather than sit out to read and write. Your right
thumb and its attending muscles are sour and painful for an unknown reason.
Carol is out working in the yard, you are thinking about a nap. That’s where
your head is boy. –Amorella
1634
hours. It feels like the weather is building for an afternoon thundershower.
Carol decided she wanted to drive the Honda home from Kenwood. Actually, it was
rather fun watching her take the wheel through a lot of northbound traffic on
I-71. It has been a while since I have observed her in heavy traffic. Mild
mannered and normally quite kind Carol holds her own in the dash up to Mason. She
can be a very aggressive driver when forced into it. No one moves her from whatever
lane she is in at the moment. I forgot why she always liked six cylinder Accords until today.
She can be one cool dude behind the wheel, that’s one of the reasons I married her. Female or not, when
Carol gets her gander up, so to speak, it is time to lay low or get out of the
road. This was a very fun and spunky afternoon. She needs to drive more often,
but when I drive she gets to see stuff along the way. Hey, Carol, where's the neat used red Porsche Boxster you were eyeing the other day? (I can see her playing through the gears like they were the keys on a piano.)
Post. - Amorella
Moving
towards dusk. Carol is watering the flowers to the north side of the house. You
both slept for about an hour and a half this late afternoon. Carol had turned
the heat up to seventy-six and when you awoke it felt like you were in Rio in
summer. – Amorella
1937
hours. That’s what I was thinking when I woke up. It was sultry warm and if the
windows had been open I would have expected to hear the continual deep late night 'buzz' of millions of winged and unwinged insects through open and unscreened windows within a couple
of blocks up the hill-mountain not too far from Ipanema. I checked online of a quick
picture of the hillside (upper right) I’m talking about. We always stayed near
the square where the ‘Hippy Fair’ originated. Wow. This was in 1970-72. Hot and
sultry nights full of buzz, I’ll tell you. Most cool.
Ipanema
Beach Today
2207
hours. How do we end the book, Amorella? I really don’t know what to do here
with “Pouch – 21”.
I will give the Supervisor’s comments and
you find a way to make it fit. – Amorella
This
makes sense.
Let’s go to the working document. – Amorella
2245
hours. I have completed the (final) draft of Great Merlyn’s Ghost, Volume One.
Indeed, you have. Add and post. – Amorella
***
Chapter Twenty-one
Translucence
This
is the Supervisor, Caretaker of the
Dead. These books cause a transmigration of words from the Dead into those
reading within Dreamtime. The enlightenment occurs in the deconstruction of
entanglement within spiritual thought. The Humanity, the Light, untangles many
spiritual dimensions of mind to a singular focus: reasonable thought.
The
Dead 21 – 780 w
Some events are built in. The Lightning
that becomes the Beginning of All Things continues through these Merlyn books.
The Thunder follows naturally. – the Supervisor
Merlyn
rolls his spectral eyes up and back into his spectral head only to discover he
is about to have a discussion with Glevema and Panagiotakis, here in his own
sanctuary.
Within
the doorway to his hut Merlyn envisions his oak billiard table rising from the central
stone boulder just as he had risen from his stony sleep of the Dead. Merlyn
moves slowly upward, gaining confidence. He glances down from the height of the
giant oak to the billiard table below to see two balls on the green with an oak
cue stick lying on the table near the white cue ball mark, and on the other cue
mark sets the black 8 ball.
Merlyn
spirit blinks registering, I am the stick, Takis is the white cue ball and
Mother is the black 8. The spirit, the great ghost, observes the pockets shift-in-meaning.
One pocket connects to the heart, another to the soul, and a third to the mind;
the other three are random existential nightmares. My cue tip needs to strike
old Takis and send him to lightly kiss Mother and send her towards the far
right corner, estimated Merlyn.
I
can only hope to drive Mother into heart's pocket for her truthfully honest
response to my question.
Chance
is not always what it seems – all roads lead to multiple place settings. – the Supervisor
Semi-conscious, Merlyn strikes the cue ball with the stick,
which, as the physics-in-his-head would have it, taps the 8 ball further and
harder to the left than he anticipated.
The
white ball almost scratches at the far corner pocket and in Merlyn's mind the 8
ball rolls to the left corner pocket and drops in. 'Not good,' concludes
Merlyn, 'A faery's trick.' strikes at his heart.
Merlyn no more believes in faery tricks
than he does in Angels. He laments this freedom without choice – the Supervisor
"I
should have let the Takis cue ball randomly run the table,” grumbles Merlyn. The
Victorian styled oak billiard table folds through mist and into the sanctuary’s
central stone bolder. Merlyn stands with Mother three arm's length away, boldly
staring.
Mother
asks, "Do you think I did not see through your tactics of using my
grandfather to soften my soul?"
"I
was aiming at your heart, dear Mother of all mothers. I see I missed my mark.
“Why now, dear Mother, for the Second Rebellion?”
The
soul tends to show an armor of indifference, thinks Mother while considering a
response to Merlyn's initial question. "Nuclear weaponry," declares
Mother, and all those dead from murdering in political and religious conflicts
and two major wars during the first half of the twentieth century.”
She
continues, “Even my first friends among the Dead, the marsupial humanoid Dead,
pleaded for a short-ordered Second Rebellion to address the parental anxieties
of both species for their living children. They were the turning point.”
So, you see, some events take place because
of the heartsansoulsanminds of others beyond the scope of most of the Living
who think, like those who did not recognise even friendly bacteria, that if you
don’t see or detect something it doesn’t exist and thus can have no effect on
the living. – the Supervisor
"The
Living do not know about the marsupial humanoids other than my fictional
stories, Mother."
"You
were sorted out, Merlyn. I assume you are up to the job," replies Mother
rather huffily. "Once the marsupial humanoids actually landed on Earth and
tragically died in secret attempt to present themselves in July, 1947; their
species’ Dead decided it was time to re-introduce themselves to Mother’s Mother.
The
reasonableness of Eisenhower’s Farewell Speech became the trigger -- the
madness of a world of industrial-military complexes would eventually create a
horrific global social circumstance in which humanity both collectively and
individually would have no choice but to shut itself off soulanmind-wise,
Merlyn.
This
is something you can certainly understand and sell to the Living; work alone
cannot make you free." She pauses for understanding, and adds
"Merlyn, how would we many Dead grow and flourish under such heartless
conditions of power and consequence?
Free
or not a reckoning will come, ruminates Merlyn, as surely as I, one of
the Dead, walk. The Second Rebellion ended while I have been Here, in two places at once, among the
Living and among the Dead. I, Merlyn, do not know how or why this came to be.
But who really knows the why's of any thing. Freedom, what is freedom without
the fullness of humanity in one's heartansoulanmind?
The
Brothers 21 – 732 w
Richard
and Robert are sitting in the morning shade on a bench in Riverton watching
people and traffic move through the busy Uptown intersection of State and
College. Richard always likes this corner because he can see a slice of his
favorite boyhood places, the weathered State Movie Theatre marquee across
street. Robert has never been a movie fan, fancies Richard.
Genetics and robotics are necessary as well
as compatible in basic survival. Both come at a price, survival. The species’
survival is little different than the individual’s survival in these Merlyn
books. The physical is more easily recognized than the spiritual; both have
their merits and their cancers. A
domesticated cat’s priorities on survival have a different focus than a
domesticated dog’s. Human beings are neither cats nor dogs. Looking in the
mirror most people can sense of the differences in the three species, don’t you
think? – the Supervisor
Interrupting
from his own focus on the old State marquee, Rob taps his brother's shoulder,
and replies, "Talking and thinking are two different things. I have a new
poem Dickie,” and he pulls it out of his back pocket. “It is about Lillian Gish
the movie star. The poem is about her unforgettable faces on film. She died in
1993, Dickie." He points to the paper, "read this first. We can meet
the girls at the empty table across the street."
Richard
reads,
*
L I
L L I A N
G I S H
News:
senseless beyond the deadline,
prisoner
to a here and now,
reports
any hearsay, the current heresies.
She:
its quick legend in catchwords,
memorable
as a persistent comet is memorable,
Old
light of whom reaches us years later.
She
is Beatrice: graceful frames of spirit;
comet
to fixed star; sister to star
forms
through whom travelers know --
earth
as Diana, child of wild things,
gathering
broken blossoms with voice of arms
in
the first light a chaste lover brings;
fire
as Athena, eyes flashing with battle-charm,
holds
our souls, fragile as daylight, through the night,
breaking
the dark air of harm;
water
as Venus, love's strong voice of light,
laughing
with the long hair of waves gently bearing
the
sea-worn swells of doubt from every lover's eyes;
air
as Mary, sensuous truth as heroine,
whose
dark lips of pure fire melt that elemental
cold
of pretense in the frightened soul of hope.
Child
to woman to spirit of silent grace,
from
way down east rising with the northern sun,
always
new, the unforgettable faces of Lillian Gish.
•
and
replies after critiquing carefully. "This poem shows a most basic form of
consciousness. I like the existential tone.” Richard acknowledges, “I am
thinking on minimal consciousness, if there is such an animal.”
"We
hope no less in the operating room," chuckles Rob, then thinking
literally, he says, "If a minimally conscious animal is what you want, you
want a jellyfish,"
Richard smiles, "Here come the
girls from the bakery. I'm ready for coffee with cream and a cream-filled
doughnut."
The
most basic form of spiritual consciousness is human consciousness,
reflects Richard quietly. Let's say minimal consciousness is a quantum state.
The classical bit is stored as a one or a
zero but a quantum bit is stored as a zero
and a one event at the same time. The event is in two places at once. This
is similar to the condition of Schrödinger's
Cat in quantum mechanics, continues Richard. This spiritual consciousness both
exists and does not exist at the same time. This then is the grammar in the
heartansoulanmind, it is not necessarily words in a linear string; it may
always be between the lines. If theheartansoulanmind functions between the lines, how can this be so?
People
ask themselves quiet questions from time to time as if each question continues
in present tense as if there is no consideration in the thought setting for a
past or future. A true question, like a true statement, can stand on its own. Life’s
distractions do not get in the way because they are not noted where it counts
most in the mind and in a place close to the heart where zero’s and one’s count
little, if at all. – the Supervisor
"We got you two the cream-filled Schneider’s doughnuts
you like," comments Connie.
"They
only had three," adds Cyndi light-heartedly. "So I decided to take
the jelly."
Grandma's
Story 21 - 737 w
Once
in Scotland Criteria and Renaldo are delighted to find Merlyn has chosen to
lead themto a mostly unobserved grassy path where they walk the horses through
an awkward quietness for most of the afternoon. As they come upon a rise Merlyn
says, "This travel has been for the comfort of Lady Criteria. We are about
to enter the grounds where I have royal guests.
Ever
so politely Criteria asks, "How did you guess my royalty early on,
Merlyn?"
“The
voice, m’Lady, "undresses the disguise. I know these things, as did my
predecessor Taliesin-the-Bard.
“I
cannot tell where you are from Merlyn,” declares Criteria in a flirtatious
mood.
“I
set my dialect to match your own m’Lady, it is my stock and trade.”
In
undisguised resentment Renaldo interrupts, “Remember we are here Merlyn, on
behalf of Rome to transcribe and collect stories for the Bishop.”
"I
am not one for those with titles, Renaldo," quips Merlyn. "My
interest here is building blood and stories. You see the three ladies standing
by the pond. They are of the House of Avallon, you two shall meet these sisters
first."
Hesitant,
Criteria responds, "My uncle is a King in Greece. However, my work
is also common within the Church of Rome. These three Ladies will provoke a lot
of interest."
"Royal
blood rises or falls together," comments Merlyn directly. Shortly we will
be done with this, he thinks.
What Merlyn thinks is not what is always or
even nearly so. Many thoughts of people are off the top of the head, so to
speak, not down closer to the powers of reasoning for purposes presently
unknown. Merlyn makes considerations and deduces imaginary consequences to add
to the reasonable ones in case of error. Logic and reason are not magic but
they are better than superstition alone, so thinks Merlyn. – the Supervisor
Should
I begin with Holy Island or Merlyn, thinks Criteria with Merlyn and Renaldo at
her side upon approaching the three women of Avallon. Queen, Igraine, smiling,
extends her hand and in kindly tone says, "I am glad Merlyn invited you,
Prince Criterion of Greece."
Having
forgot who she really was, Criteria stood momentarily startled.
"Please
meet my sisters,” adds Igraine, “Morgause and Viviane."
"Did
you ever meet the Bishop of Rome, himself, Prince Criterion?" questions
Morgause.
Criteria
shows the sisters her signatory ring, "I am sure in ways unknown that we
are cousins, but first you need know this is but a disguise for Rome and safer
travel. No one knows of my womanhood save Renaldo my priestly companion and now
Merlyn, of course."
Upon
the further introduction Queen Igraine modestly whispers though all nearby ears
hear, "Your secret is frozen within us. What secret is in this man-form
you take that you the woman now know?"
*
First,
laughter, then the quiet talk, concluded Merlyn as the women’s chatting
meanders into the great house for further discussion which leads to the
following.
“You
work openly within Columba’s league,” suggests Criteria.
“We
are Greek also,” replies Igraine to her younger sister, “Our line flows from
Abraham and Sarah up through Paris, son of Priam of Troy on, up through the
Franks.”
“I
know you have Greek blood through your ancestor, Princess Argotta,” notes
Criteria. “Indeed, we are no doubt cousins, but the Church has heard rumor that
you have another notable bloodline – Joseph of
Arimathea. I am sure there is a story in this.”
In
response Morgause whispers, “James, the brother of Jesus, or so we have been
told."
Queen
Igraine coldly eyes Merlyn and sarcastically responds, “We use the Dead as they
use us."
Criteria
says, “Merlyn told me he has a plan.”
Upon
entering the scene once again Vivian laughs, “Merlyn always has a plan.” “He
thinks the spirits will be here when he tells his story.”
Criteria
reflects a mute surprise, saying, “Merlyn didn’t tell us he has a story to
tell.”
*
Later,
standing as slowly moving stone in front of the small audience, Merlyn with his
prophetic eyes rolling into the top of his head, utters an unscheduled
prescient of words he could not, in those days of life otherwise come to
whisper, as a life-in-death, in letters alone.
In these books
Grandma shows the gift of gab,
From Merlyn’s
crystals to send this private confab;
The Dead speak short;
the Dead speak true,
This fiction, my
earthy children, is set on you.
Diplomatic
Pouch 21 – 765 w
Thursday,
14 June 2012. Blake, Pyl and Justin will leave shortly with Friendly, Hartolite
and Yermey in the marsupial humanoid’s Ship for a flight through the
Milky Way Galaxy to ThreePlanets. The Earthlings plan to be away from Earth for
about a year.
Pyl
Williams-Burroughs sits quietly in the kitchen ruminating the day with a
glass of milk and a favorite Jennifer cookie from the nearby On the Rise Bakery.
Our friends and fellow colleagues believe we have taken leaves for university
research jobs with the University of Sao Paulo, Brazil for this next year. Our houses
are rented as of July 1. We are leaving everything in family friends’ hands. I
am ready. I go with my husband and brother so I am not alone. I am quite
compatible with Hartolite and Friendly so I have strong woman companions. I
cannot imagine how this will be. We have only to be ourselves and live
honestly, something we three have attempted to do our entire lives. Strangely,
if it were not for what I have witnessed with Ship I don't know if I
would have the trust and feel the security that this can be pulled off and that
all six of us will be the better for it.
*
Justin
Wayne Burroughs sits on the toilet in the upstairs bathroom. The room is dark.
He can see the reflective floor light from under the closed door. I cannot
believe we are doing this, he thinks. I cannot believe that we will witness the
history of an alien human-like culture. Inwardly I feel we are essentially the
same species with individual hearts and souls and minds. We believe in a
similar God, free will and hold to general like philosophies. Socially and
economically we hold to quite different ideologies, but we desire similar cultural
outcomes – friendships, security, health, growth with a smattering of
contentment, joy and wonder for all. I am sounding like such an unmanly wuss.
We
three are family. What adventures will we have? What will we experience? I
cannot wait. Ship is the comfort. Normally flying can make me anxious,
but Ship solidifies my outlook. He allows me to feel secure by his calm manner.
Even at this hour, I have no real fears of travel, none that I would have from
traveling around the world on our on this planet. This will be so very cool.
*
Blake
Williams sits on an old oak chair in his basement workspace thinking how it is
going to be. This will be the most interesting year of my life. I will get to
work with Yermey, one of their greatest minds. Sometimes I think the marsupial
humanoid species may be better than we are; but in my heart I don’t believe it.
They have been around twenty thousand years longer in their social, scientific
and technological experiences. It is easier to trust machinery than it is
people. Ship will keep us safe. A machine oriented culture can be made
secure, stable and more just. We love our machines large and small on Earth. Ship is just an offshoot. I cannot wait
to see what these people have at their disposal on their own planets. Still
wondering, Blake walks up the basement stairs without looking back, sees Pyl
and says, "Are you ready?"
*
She
stands confident and smiling. "I am."
Blake
shouts up the stairs, "Justin, are you ready?"
The
toilet flushes. Justin opened the door and replies "I'm ready as I'll ever
be."
Both
Pyl and Justin hear considerable calm in Blake’s words, "Let's go
then."
The
two followed Blake out the back door that Blake turns to lock. The three looked
up in surprise to the design of a familiar front porch gently dropping to the
ground. Each walks on admiring the Victorian-like craftsmanship. No ship is
seen. The porch lifts up into a dark opened door. Once inside the door is
quietly sealed. Ship says, "Time for a social nightcap."
Friendly,
Hartolite and Yermey enter the room and Friendly greets the three keenly
anticipating Earthlings with a wonderfully veracious smile, and says,
"Welcome aboard. Relax. We will soon be underway.”
*
Little
is as it seems in this fiction, or in the real world for that matter.
Underlying forces are always at work. I like the Thunder myth explanation of
the underlying forces in a story created by the ancient marsupial humanoids. It
says that in the Beginning before matter exists Lightning releases and the Thunder
follows. Light is a natural attempt at this replication. Consciousness is the
Thunder. – the Supervisor
The End of Book One