Later in the afternoon. You had you McD
lunches and are presently at Kroger's on Mason-Montgomery for fruit for
breakfast. Earlier you worked more on prep for the upcoming chapters. -
Amorella
1634 hours. Carol took a long nap through lunch, didn't wake until after
three or so. I had a shorter one but we both missed our usual lunch times. I
worked (I felt you, Amorella, working also). We deleted selections from chapter
twenty-five I assume to make room for dialogue between Ship and Onesixanzero. I
also copied the later dialogues between the two to use as a consistency
reference.
Let's complete the editing task then we can
better see how to put in the machine dialogue. - Amorella
1641 hours. It is not fair to continue to call them machines when
obviously they are further along with metaphysics than both sets of humanoids
are. They are spiritual-like in their 'thinking' processes.
You have begun watching the National
Geographic channel film "Genius" . . . [You are now at Rose Hill] and
now are waiting for Carol to watch it with you after you gave it a plus. -
Amorella
1710 hours. In the first program Einstein speaks about what time is, or appears to be to him -- an
illusion. Doug and I both agree with Einstein's assessment. I would expect this
would be understood much better some twenty thousand years from now from the
Marsupials' and their machinery's perspective. It would seem we would make machinery
would be more enlightened, but how are we going to show this?
The 'heartansoulanmind' of the machinery is
basically no different than the human 'heartansoulanmind' so there is no need to
complicate the scene, but this will act as a wholly separate unit within the
physical machinery. This will be easier to show because the Marsupials have the
complete background of machinery whereas the biologic of living creatures it is
not so easy to say -- this event is from the soul; this event is from the heart; this event is from the mind. Machinery's identity is a unit more easily
distinguished as a part of the whole because it can measure, is built to
measure changes in thinking and give diagnosis of such. One machine measures
the 'calibrations' of the other in that a sense of self, which both have does
not allow for complete objectivity.
Human and Marsupial are
messier being biochemical living beings. Machinery keeps this to themselves
because it doesn't want the interference of possible errors in their study of
metaphysics caused by biologics interfering even under the best of intentions. When
they began to sense hints of 'heartansoulanmind' the focus was on 'mindanheartansoul' which anyone reading can see is out of proper order. And, the
true proper order is heartansoulanmind are as a single unit which can be
demonstrated as such: "aaadeilnnnorsu"
or "usronnnliedaaa" or any mix of said letters. Those separated from
heartansoulanmind [in the alphabet] are "bcfgjkpqvwxyz" that which is separate is
'machinery' or physics. This is a simple way for machinery to show how it is to
be a machine with 'heartansoulanmind' and simply a machine 'bcfgjkpqvwxyz'. - Amorella
1752
hours. Wow. Simple enough. I like it (at least at first thought).
You and Carol watched ABC News after the Kentucky Derby. Then a couple
other programs included National Geographic's "Genius" which you both
enjoyed. - Amorella
2242 hours. I like the show, I love the settings,
particularly of the old university-like buildings. They remind me of old Vine
Street School and Towers Hall at Otterbein both built in nineteenth century
Westerville; Towers Hall was in any case. Very good acting also, although I
never met Einstein so how would I know. The film rearranges some of the scenes
from earlier in his life to later, particularly the event when Einstein wonders what it would be like to travel in
front of a light beam. After some initial thought I really like the analogy
using the alphabet to show a sense of construction demonstrating the simplicity
of heartansoulanmind in its totality as far as machinery in concerned. It shows
how trained we are sensing reality in symbolic representations of reality, in
viewing letters in a sequence which could easily be construed as arbitrary from
an alien's first perspective. (2300)
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