Shortly after noon local time. You had a nap and did your thirty minute
exercises again today, three days in a row. However, you have awaken early
morning with strong lower back arthritic pain -- it takes until late morning to
shake it off. -- You have been thinking about the connection between irony and
poetry and the creation of the universe as you know it. You think that irony
and poetry show a connection as to how 'continual creation' works. Is this not
so? - Amorella
1224 hours. Why do you set the question up this way?
Because I know it is so. -
Amorella
1226 hours. You are so
funny, Amorella. You are giving me a chance to argue it is not so out of
respect for free will?
No, but acceptable try relative to your humanity. - Amorella
1229 hour. The irony and poetry are characteristics
of how things are or seem to be from my human perspective.
Really, I thought you were trying to usurp and/or 'know' G-D
like Satan in Paradise Lost. - Amorella
1234 hours. Sometimes, like presently, I move into
you as being angelic and try to cover my bases in advance. Cheap trick,
obviously, and it didn't work.
Orndorff, when you think me angelic, consciously or unconsciously, I
take on that persona within and give you such reflection that you might think
it so not as a deception but as a kindness to you. Why? It raises your sense of
human consciousness, plain and simple. - Amorella
1239 hours. I take you at your word, and I thank
you for reflecting such kindness to me.
** **
What does irony mean?
Definitions for irony
Here are all the possible meanings and
translations of the word irony.
Princeton's WordNet
Rate this definition:
sarcasm, irony, satire, caustic remark(noun)
witty language used to convey insults or scorn
"he used sarcasm to upset his
opponent"; "irony is wasted on the stupid"; "Satire is a
sort of glass, wherein beholders do generally discover everybody's face but
their own"--Jonathan Swift
irony(noun)
incongruity between what might be expected and
what actually occurs
"the irony of Ireland's copying the nation
she most hated"
irony(noun)
a trope that involves incongruity between what
is expected and what occurs
Wiktionary
Rate this definition:
•
irony(Adjective)
Of or pertaining to the metal iron.
The food had an irony taste to it.
•
•
Origin: First attested in 1502. From ironia (perhaps
via ironie), from εἰρωνεία, from εἴρων.
•
Webster Dictionary
Rate this definition:
•
Irony(adj)
made or consisting of iron; partaking of iron;
iron; as, irony chains; irony particles
•
Irony(adj)
resembling iron taste, hardness, or other
physical property
•
Irony(noun)
dissimulation; ignorance feigned for the
purpose of confounding or provoking an antagonist
•
Irony(noun)
a sort of humor, ridicule, or light sarcasm,
which adopts a mode of speech the meaning of which is contrary to the literal
sense of the words
•
Origin: [L. ironia, Gr. dissimulation, fr. a
dissembler in speech, fr. to speak; perh. akin to E. word: cf. F. ironie.]
•
Freebase
Rate this definition:
•
Irony
Irony, in its broadest sense, is a rhetorical
device, literary technique, or event characterized by an incongruity, or
contrast, between reality and appearance. The term may be further defined into
several categories, among which are: verbal, dramatic, and situational. Verbal,
dramatic, and situational irony are often used for emphasis in the assertion of
a truth. The ironic form of simile, used in sarcasm, and some forms of litotes
emphasize one's meaning by the deliberate use of language which states the opposite
of the truth — or drastically and obviously understates a factual connection.
Other forms include dialectic and practical, as identified by Thirlwall.
•
Chambers 20th Century Dictionary
Rate this definition:
•
Irony
ī′run-i, n. a mode of speech which enables the
speaker to convey his meaning with greater force by means of a contrast between
the thought which he evidently designs to express and that which his words
properly signify: satire.—adj. Iron′ical, meaning the opposite of what
is expressed: satirical.—adv. Iron′ically.—The irony of fate, the
perverse malignity of fate. [Fr.,—L. ironia, Gr. eirōneia, dissimulation—eirōn,
a dissembler—eirein, to talk.]
•
The Nuttall Encyclopedia
Rate this definition:
•
Irony
is a subtle figure of speech in which, while
one thing is said, some indication serves to show that quite the opposite is
meant; thus apparent praise becomes severe condemnation or ridicule; practical
irony is evinced in ostensibly furthering some one's hopes and wishes while
really leading him to his overthrow. Life and history are full of irony in the
contrast between ambitions and their realisation.
•
The Roycroft Dictionary
Rate this definition:
•
irony
The cactus-plant that sprouts over the tomb of
our dead illusions.
•
British National Corpus
•
Nouns Frequency
Rank popularity for the word 'irony' in Nouns
Frequency: #2984
•
Numerology
•
Chaldean Numerology
The numerical value of irony in Chaldean
Numerology is: 7
•
•
Pythagorean Numerology
The numerical value of irony in Pythagorean
Numerology is: 9
•
Sample Sentences & Example Usage
Robert
A. Heinlein:
The supreme irony of life is that hardly
anyone gets out of it alive.
Agnes
Repplier:
Humor brings insight and tolerance. Irony
brings a deeper and less friendly understanding.
Jessamyn
West:
A taste for irony has kept more hearts
from breaking than a sense of humor, for it takes irony to appreciate
the joke which is on oneself.
Karen
Friedman:
It's a cruel irony that in the year
we're celebrating the 40th anniversary year of ERISA, Congress is trying to
reverse its most significant protections.
Robert
Altman:
Real art is without irony. Irony
distances the author from his material. Irony is a product of something.
It's not the reason for doing something. Irony is a cheap shot.
Selected and edited
from definitions.net
** **
** **
What does poetry mean?
Definitions for poetry
Here are all the possible meanings and
translations of the word poetry.
Princeton's WordNet
Rate this definition:
poetry, poesy, verse(noun)
literature in metrical form
poetry(noun)
any communication resembling poetry in beauty
or the evocation of feeling
Wiktionary
Rate this definition:
•
poetry(Noun)
The class of literature comprising poems.
•
poetry(Noun)
Composition in verse or language exhibiting
conscious attention to patterns.
•
poetry(Noun)
A poet's literary production
•
poetry(Noun)
A 'poetical' quality, artistic and/or artfull,
which appeals or stirs the imagination, in any medium
That 'Swan Lake' choreography is poetry in
motion, fitting the musical poetry of Tchaikovski's divine score well beyond
the literary inspiration
•
Origin: From ποίησις, from ποιέω.
•
Webster Dictionary
Rate this definition:
•
Poetry(noun)
the art of apprehending and interpreting ideas
by the faculty of imagination; the art of idealizing in thought and in
expression
•
Poetry(noun)
imaginative language or composition, whether
expressed rhythmically or in prose. Specifically: Metrical composition; verse;
rhyme; poems collectively; as, heroic poetry; dramatic poetry; lyric or
Pindaric poetry
•
Origin: [OF. poeterie. See Poet.]
•
Freebase
Rate this definition:
•
Poetry
Poetry is a form of literary art which uses
aesthetic and rhythmic qualities of language—such as phonaesthetics, sound
symbolism, and metre—to evoke meanings in addition to, or in place of, the
prosaic ostensible meaning. Poetry has a long history, dating back to the
Sumerian Epic of Gilgamesh. Early poems evolved from folk songs such as the
Chinese Shijing, or from a need to retell oral epics, as with the Sanskrit
Vedas, Zoroastrian Gathas, and the Homeric epics, the Iliad and the Odyssey.
Ancient attempts to define poetry, such as Aristotle's Poetics, focused on the
uses of speech in rhetoric, drama, song and comedy. Later attempts concentrated
on features such as repetition, verse form and rhyme, and emphasized the
aesthetics which distinguish poetry from more objectively-informative, prosaic
forms of writing. From the mid-20th century, poetry has sometimes been more
generally regarded as a fundamental creative act employing language. Poetry
uses forms and conventions to suggest differential interpretation to words, or
to evoke emotive responses. Devices such as assonance, alliteration,
onomatopoeia and rhythm are sometimes used to achieve musical or incantatory
effects. The use of ambiguity, symbolism, irony and other stylistic elements of
poetic diction often leaves a poem open to multiple interpretations. Similarly,
metaphor, simile and metonymy create a resonance between otherwise disparate
images—a layering of meanings, forming connections previously not perceived.
Kindred forms of resonance may exist, between individual verses, in their
patterns of rhyme or rhythm.
•
The Nuttall Encyclopedia
Rate this definition:
•
Poetry
the gift of penetrating into the inner soul or
secret of a thing, and bodying it forth rhythmically so as to captivate the
imagination and the heart.
•
The Roycroft Dictionary
Rate this definition:
•
poetry
1. A substitute for the impossible. 2. The bill
and coo of sex.
•
U.S. National Library of Medicine
Rate this definition:
•
Poetry
Works that consist of literary and oral genre
expressing meaning via symbolism and following formal or informal patterns.
•
Sample Sentences & Example Usage
•
Adrian
Mitchell:
Most people ignore most poetry because
most poetry ignores most people.
•
•
Simonides:
Painting is silent poetry, and poetry
is painting with the gift of speech.
•
•
Salma
Hayek:
There is an Arabic writer who wrote philosophy
and poetry and who brought all religions and all the world together.
•
•
Samuel
Taylor Coleridge:
I wish our clever young poets would remember my
homely definitions of prose and poetry that is prose words in their best
order-poetry the best words in the best order.
•
•
Patti
Smith:
People were crying on the street, you could
hear his voice coming out of cafes. Everyone was playing his music. ... Thank
you, Lou, for brutally and benevolently injecting poetry into your
music.
Selected and edited
from definitions.net
** **
You had a quick lunch: Egg McMuffins and two colas. Presently
you are parked to the right of Whitaker's mausoleum in the shade and facing
west with the windows down and the top open for the breeze. The car seat is
giving you some discomfort through your right hip and leg. Carol is on page
fifteen of Grisham's The King of Torts. - Amorella
1428 hours. I'll underline the definitions above that
seem best. This should fit within a Platonic framework.
While you are at it decide if the irony definition frames the poetry
definition or the other way round. - Amorella
1432 hours. That does add criteria to the
definition. I like it. Thanks, Amorella.
1435 hours. The best
definition of poetry, hands down, is from The Nuttall Encyclopedia:
"Poetry
the gift of penetrating into the inner soul or
secret of a thing, and bodying it forth rhythmically so as to captivate the
imagination and the heart."
You have humanity first for the quote, what you want is pre-creation
oriented, keep that in mind. - Amorella
1443 hours. I have a short
definition from Princeton's WordNet:
irony (noun)
incongruity between what might be expected and
what actually occurs
The above will somewhat work in context
"might be expected [from a human being]". - Amorella
1451 hours. This is taking on an interesting assignment, Amorella. What are
the elements of the definitions of irony and poetry independent of human
thought?
How might Ship and Onesixanzero conclude in
this reference? - Amorella
1457 hours. Wow. I don't know . . . irony and poetry exist before physics OR
irony and poetry embody physics? I don't know.
Something to consider perhaps. - Amorella
1459 hours. This would have to be based in the hypothetical not theoretical.
** **
hypothetical - l| adjective of, based on, or serving as a
hypothesis: that option is merely hypothetical at this
juncture.• supposed but not necessarily real or
true: the hypothetical tenth
planet.• Logic denoting or containing a proposition of the
logical form if p then q. noun (usually hypotheticals) a hypothetical
proposition or statement: Finn talked in hypotheticals, tossing what-if scenarios to Rosen.
theoretical - l| adjective concerned with or
involving the theory of a subject or area of study rather than its practical application: a theoretical physicist | the training is
task-related rather than theoretical.• based on or calculated
through theory rather than experience or practice: the theoretical value of
their work.
Selected and edited from the Oxford/American software
** **
You need not
bring in the definitions above, boy. I have a standing understanding. -
Amorella
1557 hours. The definitions are for me, Amorella, as you well know. Words
can trick you up. People, like myself misuse them all the time. Logically, hypothetical
has to come before theoretical so I dropped it in that way although upon
further reflection I wanted to make sure of definitions.
This is because words mean more to you. They
are the essence of thought. For fun, look up word as a definition. - Amorella
** **
word - noun: a single distinct
meaningful element of speech or writing, used with others (or sometimes alone) to
form a sentence and typically shown with a space on either side when written or
printed.• a single distinct
conceptual unit of language, comprising inflected and variant forms.
Selected
and edited from the Oxford/American
***
Word
From Wikipedia, the free encyclopedia
This article is about the unit of speech and writing.
In linguistics, a word is the smallest element that can
be uttered in isolation with objective or practical meaning).
This contrasts deeply with a morpheme, which is the smallest
unit of meaning but will not necessarily stand on its own. A word may consist
of a single morpheme (for example: oh!, rock, red, quick, run, expect),
or several (rocks, redness, quickly, running, unexpected), whereas a
morpheme may not be able to stand on its own as a word (in the words just
mentioned, these are -s, -ness, -ly, -ing, un-, -ed). A complex word
will typically include a root and one or more affixes (rock-s, red-ness,
quick-ly, run-ning, un-expect-ed), or more than one root in a compound (black-board,
sand-box). Words can be put together to build larger elements of language,
such as phrases (a red rock, put up with), clauses (I threw a
rock), and sentences (He threw a rock too, but he missed).
The term word may refer to a spoken word or to a written
word, or sometimes to the abstract concept behind either. Spoken words are made
up of units of sound called phonemes, and written words of symbols called
graphemes, such as the letters of the English alphabet.
Summary
The difficulty of deciphering a word depends on the language.
Dictionaries categorize a language's lexicon (i.e., its vocabulary) into
lemmas. These can be taken as an indication of what constitutes a
"word" in the opinion of the writers of that language. The most
appropriate means of measuring the length of a word are by counting its
syllables or morphemes. When a word has multiple definitions or multiple
senses, it may result in confusion in a debate or discussion.
Semantic definition
Leonard Bloomfield introduced the concept of
"Minimal Free Forms" in 1926. Words are thought of as the smallest
meaningful unit of speech that can stand by themselves. This correlates
phonemes (units of sound) to lexemes (units of meaning). However, some written
words are not minimal free forms as they make no sense by themselves (for
example, the and of)
Some semanticists have put forward a theory of so-called
semantic primitives or semantic primes, indefinable words representing
fundamental concepts that are intuitively meaningful. According to this theory,
semantic primes serve as the basis for describing the meaning, without
circularity, of other words and their associated conceptual denotations.
Features
In the Minimalist school of theoretical syntax, words (also
called lexical items in the literature) are construed as
"bundles" of linguistic features that are united into a structure
with form and meaning. For example, the word "koalas" has semantic
features (it denotes real-world objects, koalas), category features (it is a
noun), number features (it is plural and must agree with verbs, pronouns, and
demonstratives in its domain), phonological features (it is pronounced a
certain way), etc.
Word boundaries
The task of defining what constitutes a "word"
involves determining where one word ends and another word begins—in other
words, identifying word boundaries. There are several ways to determine where
the word boundaries of spoken language should be placed:
•
Potential pause: A
speaker is told to repeat a given sentence slowly, allowing for pauses. The
speaker will tend to insert pauses at the word boundaries. However, this method
is not foolproof: the speaker could easily break up polysyllabic words, or fail
to separate two or more closely linked words (e.g. "to a" in "He
went to a house").
•
•
Indivisibility: A
speaker is told to say a sentence out loud, and then is told to say the
sentence again with extra words added to it. Thus, I have lived in this
village for ten years might become My family and I have lived in this
little village for about ten or so years. These extra words will tend to be
added in the word boundaries of the original sentence. However, some languages
have infixes, which are put inside a word. Similarly, some have separate
affixes; in the German sentence "Ich komme gut zu Hause an",
the verb ankommen is separated.
•
•
Phonetic boundaries: Some
languages have particular rules of pronounciation that make it easy to spot
where a word boundary should be. For example, in a language that regularly
stresses the last syllable of a word, a word boundary is likely to fall after
each stressed syllable. Another example can be seen in a language that has
vowel harmony (like Turkish): the vowels within a given word share the same quality,
so a word boundary is likely to occur whenever the vowel quality changes.
Nevertheless, not all languages have such convenient phonetic rules, and even
those that do present the occasional exceptions.
•
Orthography
In languages with a literary tradition, there is interrelation
between orthography and the question of what is considered a single word. Word
separators (typically spaces) are common in modern orthography of languages
using alphabetic scripts, but these are (excepting isolated precedents) a
relatively modern development.
In English orthography, compound expressions may contain spaces.
For example, ice cream, air raid shelter and get up each
are generally considered to consist of more than one word (as each of the
components are free forms, with the possible exception of get).
Not all languages delimit words expressly. Mandarin Chinese is a
very analytic language (with few inflectional affixes), making it unnecessary
to delimit words orthographically. However, there are a great number of
multiple-morpheme compounds in Mandarin, as well as a variety of bound
morphemes that make it difficult to clearly determine what constitutes a word.
Sometimes, languages which are extremely close grammatically
will consider the same order of words in different ways. For example,
reflective verbs in the French infinitive are separate from their respective
particle, e.g. se laver ("to wash oneself"), whereas in
Portuguese they are hyphenated, e.g. lavar-se, and in Spanish they are
joined, e.g. lavarse.
Japanese uses orthographic cues to delimit words such as
switching between kanji (Chinese characters) and the two kana syllabaries. This
is a fairly soft rule, because content words can also be written in hiragana for
effect (though if done extensively spaces are typically added to maintain
legibility).
Vietnamese orthography, although using the Latin alphabet, delimits
monosyllabic morphemes rather than words.
In character encoding, word segmentation depends on which
characters are defined as word dividers.
Morphology
In synthetic languages, , a single word stem (for example, love)
may have a number of different forms (for example, loves, loving,
and loved). However, for some purposes these are not usually considered
to be different words, but rather different forms of the same word. In these
languages, words may be considered to be constructed from a number of
morphemes. In Indo-European languages in particular, the morphemes
distinguished are
•
The root.
•
Optional suffixes.
•
A inflectional suffix.
Thus, the Proto-Indo-European *wr̥dhom would be analyzed
as consisting of
•
*wr̥-, the zero grad of the root *wer-.
•
A root-extension *-dh- (diachronically a suffix),
resulting in a complex root *wr̥dh-.
•
The thematic suffix *-o-.
•
The neuter gender nominative or accusative singular suffix *-m.
•
Philosophy
Philosophers have found words objects of fascination since at
least the 5th century BC, with the foundation of the philosophy of language. Plato
analyzed words in terms of their origins and the sounds making them up,
concluding that there was some connection between sound and meaning, though
words change a great deal over time. John Locke wrote that the use of words
"is to be sensible marks of ideas", though they are chosen "not
by any natural connexion that there is between particular articulate sounds and
certain ideas, for then there would be but one language amongst all men; but by
a voluntary imposition, whereby such a word is made arbitrarily the mark of
such an idea". Wittgenstein's thought transitioned from a word as
representation of meaning to "the meaning of a word is its use in the
language."
Archaeology shows that even for centuries prior to this
fascination by philosophers in the 5th century BC, many languages had various
ways of expressing this verbal unit, which in turn diversified and evolved into
a range of expressions with wide philosophical significance. Ancient
manuscripts of the Gospel of John reveal in its 5th chapter the Rabonni Y'shua
chastising the pharisees expecting to find life in writings instead of himself.
This perhaps could have led to John's introduction in chapter of a description
in the Greek translation as "the logos". A famous early scientist,
scholar and priest, Thomas Aquinas, influenced Cartesian philosophy and
mathematics by interpreting such passages consistently with his philosophy of
logic.
Classes
Grammar classifies a language's lexicon into several groups of
words. The basic bipartite division possible for virtually every natural
language is that of nouns vs. verbs.
The classification into such classes is in the tradition of
Dionysius Thrax, who distinguished eight categories: noun, verb, adjective,
pronoun, preposition, adverb, conjunction and interjection.
In Indian
grammatical tradition, Panini introduced a similar fundamental classification
into a nominal (nāma, suP) and a verbal (ākhyāta, tiN) class, based on the set
of suffixes taken by the word.
Selected
and edited from Wikipedia
** **
1645
hours. The above is good stuff, some material I have not consciously thought on
for a long time. It is no wonder I am confused by some writing in English.
Rules and concepts of old do not naturally apply today because many people
never knew the rules of the English language to begin with. I loved studying
grammar in sixth, seventh, eighth and ninth grades and I got more from Mr.
Ray's English Language and Grammar class as a sophomore at Otterbein. Good stuff,
all.
2256 hours. I am thinking of yin-yang icon.
Poetry and irony may be characterized similarly to a yin-yang icon in my mind.
Which is the black and which is the white in
your iconic concept of poetry and irony? - Amorella
2306 hours. Irony is the black; everything
within is poetic form before it is a Platonic Form. That's how I see it
presently. I conclude after Eliot's "The Hollow Men".
** **
The Hollow Men by T. S. Eliot
Mistah Kurtz-he dead
A penny for the Old Guy
I
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar
Shape without form, shade without colour,
Paralysed force, gesture without motion;
Those who have crossed
With direct eyes, to death's other Kingdom
Remember us-if at all-not as lost
Violent souls, but only
As the hollow men
The stuffed men.
II
Eyes I dare not meet in dreams
In death's dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind's singing
More distant and more solemn
Than a fading star.
Let me be no nearer
In death's dream kingdom
Let me also wear
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer-
Not that final meeting
In the twilight kingdom
III
This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.
Is it like this
In death's other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.
IV
The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms
In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river
Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The hope only
Of empty men.
V
Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o'clock in the morning.
Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom
Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long
Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom
For Thine is
Life is
For Thine is the
This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
A penny for the Old Guy
I
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar
Shape without form, shade without colour,
Paralysed force, gesture without motion;
Those who have crossed
With direct eyes, to death's other Kingdom
Remember us-if at all-not as lost
Violent souls, but only
As the hollow men
The stuffed men.
II
Eyes I dare not meet in dreams
In death's dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind's singing
More distant and more solemn
Than a fading star.
Let me be no nearer
In death's dream kingdom
Let me also wear
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer-
Not that final meeting
In the twilight kingdom
III
This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.
Is it like this
In death's other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.
IV
The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms
In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river
Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The hope only
Of empty men.
V
Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o'clock in the morning.
Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom
Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long
Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom
For Thine is
Life is
For Thine is the
This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
** **
2323
hours. These are Eliot's lines where I would add irony and poetry.
Between the conception
And the creation
And the creation
Between the irony
And the poetry
Between the emotion
And the response
Falls the Shadow
Between the emotion
And the response
Falls the Shadow
2328 hours. I love your dark humor, Amorella.
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