Notes & Re-edited to Voice Scenes 1 - 2 of Chapter 2

         After noon and you have finished the voice editing of scenes on and two of chapter two. You can upload them presently. Errands to run and you can work on chapter three in the car while waiting on Carol. - Amorella 

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         Errands took more time than you calculated and you began going through the early scenes of chapter three already written but got no further. A night full of good shows and you are already tired. You did backup your laptop hard drive and feel better about it.

         The key of ‘democracy’ in this chapter is this: rule for the people without power and equality of the individual in balance with the equality of the species as a whole. An allotment is used as being called for jury duty. People who do not wish to co-exist politely are individually shunned through an individual’s personal comfort and discomfort social level. Security services are first, welfare and education for each individual. The duty and obligation is first to the Dead and second to the species as a whole. 


         The sticking point is, do duty and obligation also stretch back to the Living as they are the origin of the species? 


       The Living do not have a duty to the dead other than dignified burial of physical remains. All dead are equal no matter who they were or what they did in life. A citizen of the state as well as an enemy of the state are to be treated equally in rites of burial. That is the gist of it. We can rework and clarify this tomorrow. – Amorella. 

Chapter Two

© 2009 Richard H. Orndorff

Scene 1

         This is the battle royale so far. The moves have been made in a place beyond Olympus and Elysium. In the real world of astronomic studies this would be three to four end on the end universes away from the one you are presently living in. In other words, the usual quantum leap of thought isn’t going to get you to the original chessboard from where you are. This is how it is at the inner dimensional moment in the story.

                   Allegorical Dimensional Chess

4.   Black pawn moves to Queen’s Knight 4

5.   White pawn takes black pawn (lateral move to White Knight 5)

6.   Black pawn takes white pawn (lateral move to Black Knight 4)

         The declared winner of the first rebellion is discovered on the seventy-third move at the beginning of chapter twelve of book five. This book concludes with the forty-second move in a dimension that can be touched upon by the human mind while at a complete conscious rest. The effects of first rebellion do not begin to affect the Living until the later Classical Age of Greece with Socrates, Plato and Aristotle.  

        This work is an interpretation of the three chess moves made in each chapter. Outside of the metaphysical war-battle exercise of singular dimension oriented chess at the beginning of each chapter, some characteristics of quantum mechanics lead the development of the story.
Here are six characteristics of quantum mechanics expressed within the setting and plot:

         1. random chance exists;

         2. it is impossible for either the  gods or the Dead to predict an outcome of the rebellion even though one exists;

         3. no link exists between cause and effect except through the human brain/mind;

         4. no phenomenon exists until it is observed;

         5. particles/waves exist in the mental thought/concept of which Elysium is composed;

         6. the reader changes what is observed by reading the book; and the last, number seven, relates to Chaos Theory rather than quantum mechanics;

         7. the chess game is on a higher level of human thought and behavior and it is attributed to knowledge and expectations, thus probability or outcome of the rebellion shows that what appears to be random chance in Quantum Theory does not necessarily appear random chance in Chaos Theory.

Scene 2

         This Elysium works on what is presently known in science. The connection between the Dead and the Living is in the mind’s perception. The Living help the Dead by learning and increasing the bounds of human experience.     

      
         Everyone contributes through self-education, what one learns in and from life is taken with the Dead. The human mind, if you will, serves as a serendipitous taxi service. The Dead, of course, are out of time, therefore have can more easily develop theory, which they inversely pass on to the Living. The River Styx is the conduit, for whatever the river is in actuality, it is a Form that carries a current of new ideas and concepts both to the Living from the Dead and from the Dead to the Living.

         The reader is as an angelic-like observer of a portion of these Books of Life and Death. Imagine, if you will, your mind as angelic-like in form only.