13 May 2013

Notes - Voyager Photo for Pouch 17 / setting: Dead 18 / 1st draft of Pouch 17


         Mid-morning. Breakfast and the paper. You find yourself in a funk for no known reason. Today is a work in the yard trimming day and perhaps mowing. Rich G. sent you a PowerPoint of unique photos and there is one between earth and moon and sun that caught your eye. Let's go to NASA photos to find a couple to use in Pouch 17. - Amorella

         0953 hours. I have several photos but the one that strikes me is probably one I can't use. It was when Voyager first left earth/moon area. Very cool photo.




         As long as it sparks your imagination, boy, it doesn't make much difference. Post. - Amorella


         Mid-afternoon. You had a late lunch at Chipotle/Panera after two hours or so of yard work. Lots of trimming and some several logs cut with a handsaw. While you were sitting in the "bottom forty" you took some photos of your woods that few people ever see and that point was one of the major reasons for buying the lot. Drop three of them in, boy, so you'll have them close by. We may find a scene or so in this grouping with Dead - 18. How will that be? - Amorella

         Fine with me, Amorella, but I thought it was a summer-by-the-lake scene.

***



The water run turns NW; the steps on right are north woods.



Sunlight spotting in the north bottoms



South woods with sun on bottoms, taken from the top N. step

***

         1538 hours. I picked a good time (late morning) for the shots. I love the light in the forest theme - almost a romantic setting right in our own backyard.

         This is where Merlyn meets Vivien for the first time. She is fourteen and he is thirty-six, but he's put himself to appearing twenty. She knows better, she knows he's older, otherwise how could he be Merlyn the Druid. - Amorella

***
From Wikipedia: Marriageable Age

            Historically, the age of consent for a sexual union has been determined by tribal custom or has been a matter for families to decide. In most cases, this has coincided with signs of puberty: menstruation for a woman and pubic hair for a man. In Ancient Rome, it was very common for girls to marry and have children shortly after the onset of puberty.
Among ancient Germanic tribes, the bride and groom were roughly the same age and older than their Roman counterparts. According to Tactius:
The young men marry late and their vigor is thereby unimpaired. The girls, too, are not hurried into marriage. As old and full-grown as the men, they match their mates in age and strength, and their children reproduce the might of their parents.
Where Aristotle had set the prime of life at 37 years for men and 18 for women, the Visigothic Code of law in the 7th century placed the prime of life at twenty years for both men and women, after which both presumably married. It can be presumed that most ancient Germanic women were at least twenty years of age when they married and were roughly the same age as their husbands.
The first recorded age-of-consent law dates back 800 years. In 1275, in England, as part of the rape law, a statute, Westminster 1, made it a misdemeanor to "ravish" a "maiden within age," whether with or without her consent. The phrase "within age" was interpreted by jurist Sir Edward Coke as meaning the age of marriage, which at the time was 12 years of age. In the 12th century the jurist Gratian, an influential founder of Canon law in medieval Europe, accepted age of puberty for marriage to be between 12 and 14 but acknowledged consent to be meaningful if the children were older than 7. There were authorities with a claim that consent could take place earlier. Marriage would then be valid as long as neither of the two parties annulled the marital agreement before reaching puberty, or if they had already consummated the marriage. It should be noted that Judges honored marriages based on mutual consent at ages younger than 7, in spite of what Gratian had said; there are recorded marriages of 2 and 3 year olds.
Still, in most of Northwestern Europe, marriage at very early ages was rare. One thousand marriage certificates from 1619 to 1660 in the Archdiocese of Canterbury show that only one bride was 13 years of age, four were 15, twelve were 16, and seventeen were 17 years of age while the other 966 brides were at least 19 years of age at marriage. And the Church dictated that both the bride and groom must be at least 21 years of age to marry without the consent of their families; in the certificates, the most common age for the brides is 22 years. For the grooms 24 years is the most common age, with average ages of 24 years for the brides and 27 for the grooms. While European noblewomen married early, they were a small minority and the marriage certificates from Canterbury show that even among nobility it was very rare to marry women off at very early ages.
The American colonies followed the English tradition, but the law was more of a guide. For example, Mary Hathaway (Virginia, 1689) was only 9 when she was married to William Williams. Sir Edward Coke (England, 17th century) made it clear that "the marriage of girls under 12 was normal, and the age at which a girl who was a wife was eligible for a dower from her husband's estate was 9 even though her husband be only four years old." Reliable data for when people would actually marry are very difficult to find. In England, for example, the only reliable data on age at marriage in the early modern period come from records, which involved only those who left property after their death. Not only were the records relatively rare, but not all bothered to record the participants' ages, and it seemed that the more complete the records are, the more likely they are to reveal young marriages. Additionally, 20th- and 21st-century historians have sometimes shown reluctance to accept data regarding a young age of marriage, and would instead explain the data away as a misreading by a later copier of the records.
Edited from Wikipedia - Marriageable Age
***
         Let's stick with fourteen for Vivien and thirty-six for Merlyn, and let's say Vivien lost her virginity to a cousin when she had just turned twelve. The cousin was fourteen at the time. - Amorella

         This doesn't seem right though. It makes Merlyn out to be a child molester, particularly at 36.

         How about he loses his virginity to her. - Amorella

         You're kidding. What about all those Druidesses who would just have likely wanted the young stud when he was fourteen or so? This doesn't sound like a plausible scenario to me.

         In an attempt to come up with a story for the virginity you decided Merlyn gave up sex because of a woman in Chinese mythology:

** **
Eight Immortals

In Chinese mythology the Eight Immortals are a group of legendary "xian" (spiritually and/or physically immortal; transcendent; super-human; celestial beings.)

The Eight Immortals have been part of Chinese oral history long befor they were recorded in the works of writers of various dynasties - Tang, Song, Yuan and Ming.

But it was Wu Yuantai of the Ming dynasty who wrote 'The Emergence of the Eight lmmortals and their Travels to the East', since than the Eight began to be clearly distinguished.

In Chinese mythology the Eight Immortals are believed to know the secrets of nature. They represent separately male, female, the old, the young, the rich, the noble, the poor, and the humble Chinese.

Each Immortal's power can be transferred to a tool of power, kind of a talisman associated with a certain meaning, that can give life or destroy evil.
Together, these eight tools are called “Hidden Eight Immortals” or "Covert Eight Immortals".

The Eight were called the "Roaming Immortals" in Taoist legends.

Not only are they revered by Taoists, but by all Chinese society. They are the base for various literature, folk tales and are pictured in art. Symbols are representing the characteristic attributes of each Immortal and they were depicted on a wide variety of porcelain, bronze, ivory, and embroidered objects.

From the time of the Ming dynasty, there is another work by an unknown writer, called The "Eight Immortals Cross the Sea". The legend is about the Immortals on a journey to attend the "Conference of the Magical Peach" and on this journey they encounter an ocean. Instead of going across by their clouds, the immortals way of transportation, their leader Lü Dongbin suggested, that they all together should use their magical powers to get across. Stemming from this, the Chinese proverb "The Eight Immortals cross the Sea, each reveals its divine power" indicates the situation that everybody should show off their powers to achieve a common goal.

The Eight Immortals are:

He Xian Gu
The Immortal Woman

He Xian Gu’s immortality is due to a consistent diet of powdered mother-of-pearl and moonbeams. While swallowing it, she vowed to remain a virgin.
According to a different version, He Xian Gu, daughter of a 7th-century shopkeeper, ate a magic peach and became immortal. Since than she is flying about.

She is attributed by the lotus/lotus pond, which can cultivate people through meditation.

Occasionally she is attributed with a peach, the divine fruit of Gods, associated with immortality or a music instrument or a ladle to dispense wisdom, meditation and purity.

Cao Gou Jiu
The Royal Uncle Cao

Cao Gou Jiu is reputed to have been the brother of a 10th century Song Empress, the uncle to the Emperor of the Song Dynasty and the son of a military commander. His attribute, the castanets, are thought to be derived from the pass that gave him free access to the palace, a benefit of his rank.

He is also attributed with a jade tablet, which can purify the air.

According to another version, Cao Guo Jiu's younger brother Cao Jingzhi was a bully, but no one dared to prosecute him because of his powerful connections, not even after he killed a person. Royal Uncle Cao was so overwhelmed by sadness and shame on his brother that he resigned his office and left home.
He is represented by wearing formal court dress, always the finest dress among all Eight Immortals, and carrying castanets.
Cao Gou Jiu is the patron deity of actors.

Li Tie Guai
The Iron-Crutch Li

Because of his great skill at magic, Li Tie Guai, was able to free his soul from his body and aid and meet others in the celestial realm. Li Tie Guai, a good looking man used his skill frequently. Once, while his spirit was gone from his body, a disciple decided that Li Tie Guai was dead and burned his body as was traditional. When Li Tie Guai’s soul returned from its travels, he was forced to enter the body of a beggar.

He is represented as a lame beggar carrying a double gourd. The gourd, symbolising longevity and the ability to ward off evil, has a cloud emanating from it. The cloud represents the soul, depicted as a formless shape.

The gourd represents also helping the needy and relieve the distressed.
Sometimes Li Tie Guai is pictured riding the gilin.

Li Tie Guai is the emblem of the sick.

Lan Cai
The Immortal Hermaphrodite

Lan Cai is said to have wandered the streets as a beggar while singing a song about the brevity of mortal life. Her/his attribute is a basket of flowers associated with longevity, which she/he carries to remind viewers of the transience of life and with which she/he can communicate with gods.

She/he is variously portrayed as a youth, an aged man, or a girl; in modern pictures generally as a young boy.

She/he is represented by wearing a tattered blue gown and only one shoe.
Lan Cai is the patron deity of florists.

Lü Dongbin
The Chief leader

Lü Dongbin was an 8th-century scholar, who learned the secrets of Taoism from Zhuang Lin Quan. Dressed as a scholar, he is honoured as such. His attribute, the sword, which can subdue the evil, allowed him to travel the earth slaying dragons and fighting evil.

He is represented with a sword on his back and a fly brush in his hand.
Lü Dongbin is also the patron deity of barbers.

Han Xiang Zi
The Philosopher Han Xiang

Han Xiang Zi is said to have been the nephew of Han Yü, a famous scholar of the 9th century. Among his special skills was the ability to make flowers bloom instantaneously and smooth wild animals. His attribute is the flute, which can cause growth.

He is represented as a Happy Man.

Han Xiang Zi is the patron saint of musicians.

Zhang Guo Lao
The Elder Zhang Guo

Zhang Guo Lao is reputed to have been a recluse of the 7th or 8th century. He travelled with a white mule that could go incredible distances and then be folded up and placed in a wallet. Zhang Guo Lao had only to sprinkle water to the mule to reconstitute it for further use.

Zhang Guo Lao's attribute is a drum made of a bamboo tube with two rods with which to strike it. The drum can cure life.

He is represented as an old man riding the mule, at times riding backwards.
Zhang Guo Lao is the emblem of old men.

Zhongli Quan

Zhongli Quan was reputed to have lived during the Zhou Dynasty (1122-256 BC). Among his many powers were transmutation and the knowledge of the elixir of life. His attribute is a fan, which can bring the dead back to life.
He is represented as a Fat Man with his bare belly showing.
Zhongli Quan represents the military man.

Edited from: nationsonline.org/oneworld/Chinese_Customs/eight_immortals.htm
**  **

         1712 hours. I like these Chinese Immortals representations. I did a graduate paper on the early trade routes during the time of Thales, Anaximander and Anaximenes in relationship to possible Indian/Asian influences on the Greeks. Surely in studying his ancient Greek seventh century Merlyn could have heard of such tales and early on figured that by keeping his virginity this may give him wisdom and the abilities of foresight, not power. Merlyn has no desire for power.

         If this is the story then why does he succumb to Vivien?

         I don't know, perhaps her youth, her beauty, her natural charms? (1720)

         You need more than this, orndorff. Post. - Amorella


         You and Carol had left over pizza and watched a couple more DVRed shows and you watched "Grimm" (with the monstrous muse). Carol is drying her hair. Tomorrow you have to leave for Columbus to meet Andy on your portfolios, then on up SR 23 (Columbus Pike) so that Carol can see where Kim, Paul and the boys are going to be living.

         2116 hours. I am getting rather anxious about completing Pouch 17.

         Let's go to it. - Amorella

         2210 hours. I finished a first draft but need to tweak it a bit, particularly filler "said" verbs and the like.

         Drop Pouch 17 in. We can finish it up tomorrow and move on. - Amorella

         This segment is not what I expected. These segments hardly ever are.

         Why spend time describing a scene in near space, boy. People have already seen the photos and videos and the dark side of the Moon too, just not for real like Pyl, Justin and Blake. - Amorella

***
Diplomatic Pouch 17, © 2013, rho - draft one

            Dusk, the same day. Friendly sits in a chair at the dark walnut round table. The others quickly adjust to a seat. With approximately sixty degrees from the center of one chair to the next Friendly looks to her immediate left and sees Blake, and in the chair beyond Blake sits Yermey. Sitting to Friendly's immediate right is Justin with Hartolite sitting beyond Justin. To Yermey's left and Hartolite's right sits Pyl who is somewhat facing Friendly.
            "Where's Ship?" asked Friendly, and Yermey pulled what looked like a small translucent toy marble from his right trouser pocket and placed it near the center of the table.
            Blake and the others watched as the white as paper round marble lifted slightly and adjusted to the exact table center equidistance from the surrounding people. It rose to the average height of both humanoid species and took the shape of a globular translucent screen the average of one-half the circumferences of the six humanoid heads so as not to offend anyone by his apparent size.
            Blake made a rough circle with his thumbs touching at the bottom and his middle fingertips touching at the top. A reflective bulb, he thought, you observe it directly and it appears to reflect your own face without distortion.
            "I am ready, Captain Friendly," said Ship intuitively.
            She spoke more formally, "Thank you. In a few minutes Ship-O-My-Mothers."
            'Polite form in flight,' reckoned Ship. He replied. "Ready when you are, Captain Friendly, crew and honored guests."
            Why don't you call Ship 'SOMM' thought Justin, or SOMM 10?
            Too polite, reasoned Blake. I think this may be a set up. He smiled politely at Hartolite who returned a similar expression.
            We hardly know you people, thought Pyl. We were in casual conversation and I was feeling good about this but when this machine speaks I get goose bumps on my shoulder blades. Look at me Justin. Help me out here.
            Looking first across at Justin then scanning the table, Yermey grinned like he was sitting in the middle of joke, "The point of this little production is for your entertainment, nothing more. We want you to feel at ease on board, but perhaps," he added, "we should play a game of cards or dominoes with some liquid refreshment, chips and nuts on the side."
             "We can do that," continued Friendly. "You three can get a good night's sleep and tomorrow we can go for a short ride."
            Blake's eyes lit, "You are going to take us around the world like the space station. That would be awesome. Do you have windows we can look out of? I don't even know how high we are."
            "We could be setting on the Moon as far as we know," echoed Justin and grinned, "Where do you think we are, Pyl?"
            "Good idea," said Hartolite. "A guessing game. Where do you think we are?"
            "Each guess, then we'll show you," laughed Friendly. "I'm sure you are all wondering."
            "This could be like a Mission Impossible. We could be sitting in a warehouse somewhere on earth," said Blake.
            "Or, on the Moon," added Justin secretly hoping it was so.
            "I think we are hovering at eighty to ninety thousand feet," said Pyl. She couldn't help smiling with the others. "Where are we Captain Friendly?"
            "Good call," responded Friendly. "We are in Earth atmosphere at seventy thousand feet, hovering over Cleveland, Ohio. Straight down is your Rock and Roll Museum."
            Yermey added, "It sounds like the two men would like a short ride with the window shades up. We have them down because we are in Blackanot. We cannot be detected by Earth built electronics or human sight."
            "Besides, we thought it might be disorienting to have them up," explained Hartolite. "We would be happy to give you a short ride."
            "You already have us nearly out of the atmosphere and I never felt a thing," said Pyl.
            "You and Blake are experienced pilots, but Justin is not. He does not enjoy flying like you two do," said Friendly matter-of-factly.
            "Is this true, Justin?" asked Pyl. She observed his small sheepish grin. "It is. Why didn't you tell us?"
            "I'm fine. Friendly is right though, I do get apprehensive. I trust you and Blake but I don't trust the plane. Things can go wrong. Planes do crash and sometimes the reasons are not clear."
            Ship added, "You are safer up here with us than you are on your own planet."
            "Let's go to the dark side of the moon for some sight-seeing said Friendly.
            By the time the shades were filtered for the best of human eye viewing they found themselves silently witnessing the dark side. Smile stood all around without anyone uttering a word.

790 words
***

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