14 October 2014

Notes - PouchMaster / shamans - Ezekiel / thank you / Mix / accident / comfort / quandary

         Mid-morning. Breakfast, paper and chores. It rained part of the night, which is good for the grass. The morning arthritic stiffness is wearing away and you have the upstairs and bathroom to sweep. Carol is working on her word/number projects in today’s paper. The cats are lounging about in separate house regions. Independence does not wear thin among house cats. - Amorella

         0953 hours. I assume I have two ghostly spirits on the same bent of independence. What is the name of this Cleric? Do I capitalize the word as a matter of respect? It appears to be used for both singular and plural, is this correct?

         For consistency capitalize Cleric, also use for singular or plural for simplicity. PouchMaster is the ghostly woman’s traditional name. We will go with that. – Amorella

         1004 hours. My mind feels a bit clumsy – perhaps the setting is clumsy also.


         You have too much imaginary intuition gushing, young man. Take a break. Post. - Amorella

         1020 hours. I was just looking at the postings hits today and the second and the third readers’ hit were May 13 and June 22, 2010. I was working on book four, chapter five. I have been thinking about where the gathering of the shamans’ dance over the Styx is and here it is. A few readers picked it out. A coincidence I’m sure, but still here it is.

         Using the 22 June 2010 date let’s search for material that might be pertinent here. – Amorella

         1025 hours. First, the other day I had a flash thought and lost it about Ezekiel and the four faces. I could not help but think that I see a spiritual flavor here in that Merlyn has four distinct dream sequences.

         This takes more courage to say than you may think, boy. But were I an Angel I would say you utter such a thought unflinchingly because it is implied without cost of ownership. – Amorella

         1029 hours. It bothered me at first thought but I dismissed the bother because I am freer mentioning this than not. It seems to me there are grouping by number that appear to have a symbolic appearance. I remember an “X-Files” show where such an Angel with four faces appears. Fiction in any form is but a thinking cap on which one broadens her or his own thoughts, and some of these thoughts lead on to a sense of wonder. That’s how I see it. – The X-Files title is “All Souls” it is the 17th episode of the 5th season.

** **
22 JUNE 2010 Blog Posting (Selected)

Updated Chapter 5 - scenes 1-15 - first draft

Scene 10

         The big  wheel run by faith and the little wheel run by the Grace of G---D. Spin. Three raindrops equal in size, snowman like, whirling one on top of the other like toy tops. Whirling, each whirling a different direction one on top of the other. Always different directions. Spinning so fast they appear to be touching which they are not. When they slow and appear to melt they become solid in a much of nothing. The dance of twelve begins. Meanwhile, back on Earth a lonely man by the name of Ezekiel looks up in the air near the river Chebar and reportedly sees:

I looked, and, behold, a whirlwind came out of the north, a great cloud, and a fire enfolding itself, and a brightness was about it, and out of the midst thereof as the color of amber, out of the midst of the fire. Also out of the midst thereof came the likeness of four living creatures. This was their appearance; they had the likeness of a man. Every one had four faces, and every one had four wings.

Their feet were straight feet; and the sole of their feet was like the sole of a calf’s foot: and they sparkled like the colours of burnished brass. They had the hands of a man under their wings on their four sides; and they four had their faces and their wings. Their wings were joined one to another; they turned not when they went; they went every one straight forward.
As for the likeness of their faces, they four had the face of a man, and the face of a lion, on the right side: and they four had the face of an ox on the left side; they four also had the face of an eagle. Thus were their faces: and their wings were stretched upward; two wings of every one were joined one to another, and two covered their bodies. They went every one straight forward: whither the spirit was to go, they went; and they turned not when they went.
As for the likeness of the living creatures, their appearance was like burning coals of fire, and like the appearance of lamps: it went up and down among the living creatures; and the fire was bright, and out of the fire went forth lightning. And the living creatures ran and returned as the appearance of a flash of lightning.

Now as I beheld the living creatures, behold one wheel upon the earth by the living creatures, with his four faces. The appearance of the wheels and their work was like unto the colours of a beryl: and they four had one likeness: and their appearance and their work was as it were a wheel in the middle of a wheel. When they went, they went upon their four sides: and they turned not when they went. As for their rings, they were so high that they were dreadful; and their rings were full of eyes round about them four. And when the living creatures went, the wheels went by them: and when the living creatures were lifted up from the earth, the wheels were lifted up.

Whithersoever the spirit was to go, they went, thither was their spirit to go; and the wheels were lifted up over against them: for the spirit of the living creature was in the wheels. When those went, these went; and when those stood, these stood; and when those were lifted up from the earth, the wheels were lifted up over against them: for the spirit of the living creature was in the wheels.

And the likeness of the firmament upon the heads of the living creature was as the colours of the terrible crystal, stretched forth over their heads above. And under the firmament were their wings straight, the one toward the other: every one had two, which covered on this side, and every one had two, which covered on that side, their bodies. And when they went, I heard the noise of their wings, like the noise of great waters, as the voice of the Almighty, the voice of speech, as the noise of an host: when they stood, they let down their wings.
There was a voice from the firmament that was over their heads, when they stood, and had let down their wings. And above the firmament that was over their heads was the likeness of a throne, as the appearance of a sapphire stone: and upon the likeness of the throne was the likeness as the appearance of a man above upon it. And I saw as the colors of amber, as the appearance of fire round about within it, from the appearance of his loins even upward, and from the appearance of his loins even downward, I saw as it were the appearance of fire, and it had brightness round about.

Scene 11
        
         Takis took note of Mario and Aeneas sitting solemnly cross-legged but with eager anticipation in eyes that did not reflect light on the bank of the River Styx close to where he first met the two not long before. Time twinkled in his own eyes as they drew themselves up within the outer appearance of his skull. ‘Neither Here nor There surround the thought pool of nowhere.

         Without so much as a thought by Takis, the soul’s spinning axis is felt in the core stem of Takis’s mind. The soul immerges as a full spinning globe as an unorthodox soul-like atmospheric energy is released in his lower non-mass of middle body.

         A nymph’s light, thought Aeneas at first. Takis is cut in half by a thin horizontal blade of light which is slowly upward full turning into a small replica of the moon in the sky. His head is becoming a spinning moon-world of light above and his lower torso and legs a spinning moon-world of light below. Three small independently spinning she-moon-deities have eaten or taken Takis’s human form.
        
Mario analytically observes Takis’ once head-shape, a full moon circle, moves more slowly to the right while his mid-chest full moon circle moves quickly to the left. Below, Takis’s lower full moon circle spins more slowly than the middle but faster than the once head. The faster the spin the brighter the three global lights. The spectrum dances strangely without rhythm across each of the disks, until – violet to blue to green to yellow to orange to red to black to violet to blue to green to yellow to orange to red to black to . . . .

At once a dance of three vertical balls of light centered in a circle of twelve independent vertical balls of three around Takis who is centered, or seemingly it is Takis centered. Neither Mario or Aeneas can understand the dancing ever changing disks of light, circling first to the left, then to the right, the in a spin of the three lit balls of twelve. Thirty-nine identically sized and shaped balls all spinning in thirty-nine separate directions at thirty-nine separate rates of speeds. Mario’s mind jumped: a spinning stone circle with a center stone axis. Light. And, for once in their time being Dead, each, Mario and Aeneas, cast an eerie green and ghostly shadow that caused their heartsansoulsanminds to sense a heaviness, a weight.

Circles of thirteen identities in thirty-nine dancing lights over the River Styx and another Light enters with wall-less shadows churning and painting a starless tent over the River and both its shores. The lesser, the thirty-nine dancing lights flicker and disappear into such a shadowed enclosure. And from such a darkness a small speck, a needle prick of a light appears and draws in the weight of real, imaginary, and invisible worlds. Were not so dark with freedom between an individual’s heart and soul and mind the Unsupervised Light would glow unnoticed.

Unknown, the Supervisor pulled what modern humans might call a magical hat trick beneath the stage of gravity and all its darkly material attractions. It was nothing of the sort of course. In the seed of a quantum tangle of all realities is imagination. Separating imagination from reality is like separating an individual’s heartansoulanmind, and therein lies the contrivance, the automaticity, built into the Supervisor HeranHis self.

         Interfaced within the minutely lit outer darkness forms maneuvered within the multi-wheeling minds of Mario and Aeneas fire shot upward and downward in the center of an instant in being Dead. The voice of the dreamer became the silence of dream. Whole drops the W and what IS, IS NOT. Those who say they know, know nothing. Those who know nothing bask in an interlude of understanding of their lack of knowledge.

         In less than the blink of an eye neither man had, a lull, a lack, formed a refreshed library in their minds. Study developed into a new meaning of experience. As Mario and Aeneas calmly observed, the still quiet waters of the River Styx lay out beyond the mid-afternoon shore as usual. The dancing lights had disappeared, night and day also disappeared. Unknowingly, Mario and Aeneas had died for a second time and neither could begin to understand the consequence.

         The original twelve shamans however, the dancers who understood, had quietly returned to who they had always been in life and death. Ishtar, a woman from Assyria; Enki a high priest from Babylonia; Jun from China; Amenhotep from Egypt; Amrita, a woman from India; Teja of the Indo-Europeans; Meir from Israel; Kagami, a woman from Japan; B’alam from the Central American Olmec; Tiwanaku from High Peru; Dido, a woman from Phoenicia; and Mother’s first, Panagiotakis from pre-ancient Greece. The meanings of the Shamans’ given names in no particular order are: Truth; Holy; Glow; Light; Pharaoh; Immortality; Virgin; Lord; Star; Mirror; Jaguar; and Center-Stone. This witnessing and understanding of Mario and Aeneas was silently taken back to Mother for her perusal.


Scene 13

         Takis found himself comfortably alone with the early stars already sprinkled about as the full moon rose in the east. Merlyn pulled himself out of what was supposedly thin air.
         “Hello, Panagiotakis. Merlyn here.”

         Takis immediately thought, a mix of dreamtime, and he replied rather dryly, “How uncommon.”
         Merlyn whispered, “I touch all within the lines.”
         “So be it,” droned Takis aloud. “Where are you, Merlyn?”
         “Within.”
         “How can this be?”
         “I am the Dreamer,” acknowledged Merlyn with a determinable amount of emphasis.
         Quickly, a surprised Takis understood and affirmed, “You are alive.”

         “I am within a friend of living consciousness,” said Merlyn as politely as he dared.

         An enigmatic probability within matterless range, thought Takis, and did not reply. Step by step Takis thought this problem out. Merlyn’s spirit is within my own or appears to be. The friend, his carriageless carrier, must be of an earlier age than myself. What human spirit could stretch so far without a Betweener’s help?

         Takis felt a Betweener to be morally indeterminable, a distinct possibility in the natural order but not a probable one. An accident of being, he thought, is better than one of purpose for good or ill. I need counsel. He walked a short distance upstream then out above the Styx and summoned the other eleven.

         The full moon stood almost directly overhead as each shaman emerged from the air dancing in a whirl near Panagiotakis. Reason, directed by from the modernized Latin alphabet, places each in a particular moment. Amenhotep, Amrita, B'alam, Dido, Enki, Ishtar, Jun, Kagami, Meir, Teja, and Tiwanaku was the last whirling shaman to emerge alone from the air above the moving waters of the River Styx. From the energy of the shamans’ perspective they, twin-named in meaning, were Pharaoh, Immortality, Jaguar, Virgin, Lord, Star, Truth, Mirror, Light, Luster and Stone who danced over the River Styx and around our genetic Mother’s shaman, named Holiness. Name and Name Meaning are separate aspects, the stone and cement of consciousness in the first twelve Earth-minded shaman Dead."

         First, the consciousness of the four women froze in place. Pillars of determined thought, a focused will of being. Then, the willed consciousness of the eight men froze, also in place. The setting above the River Styx became seemingly synthetic, a shadowy seamed substance of collective will filtered through the moonlight above the darkly moving waters of the Styx. The now filtered moonlight of a moon which only existed because the collective hypnotically unconscious human wish of the Dead made it so. Each shaman thus planted heranhis own garden of real determined thought and consciousness to grow and spread flat without accident. And, where below where the shaman stood as well as above where the shaman circle of twelve stood the River Styx reached the edge, the first corner of Merlyn’s chess board and lapped itself around three more new corners. Up or down, it made no difference. Where thought exists in its own place nothing comes close, nothing becomes a protective skin, as it were, and new forms of the After-World rise and dance throughout the minds of the cultured Dead in Elysium, Assyria, Babylonia, China, Egypt, India, Indo-Europe, Israel, Japan, Olmec, Peru and Phoenicia.

         The awareness of the shamans few became, almost overnight, the awareness of the many. The many human Dead became as one, with a secretly sun-yellow yoke of common hope centered in a monstrously dark egg of self-centered regret.

         Such it was for all, including our individual characters in this up-start of a story of the first Rebellion of the Dead which began for the Living two thousand and some seven hundred years ago.

Merlyn thus reached another level of understanding, a place beyond words and knowledge but not beyond reason. If an Angel exists, thought Merlyn in those and these days, Reason still stirs her Heart.

Scene 14

         Merlyn’s Mind felt a movement, a tincture-toned tearing, a two color rupture, an imbalance caused by one disembodied spiritual plate sliding over another more cerebral. Two forest green pillared candles spiraled in blue, appear pulled, one on each side of the dark matte(re)d square of White King Five. Empowered, he thought, but not so smooth as an earthly running with legs. From this rafted mind-set Merlyn stood flat and carpet-like with that Merlyn eye above observing the River Styx below. A distant river tensely Cobra-coiled with its open-ended mouth set to engorge or regurgitate.
.
The mind is at once formless and formed, from coiled serpent to chessboard. Both or one in the same because they are beyond registry even with my wisest judgment at hand. It is no wonder the dervish of twelve appears to have stopped cold and as solid as the dark naked mold of the yet to be heated and fired blade.

A master smithy I am to forge the melding of heartansoulanmind to more easily bridge timeanspace by a conditional thought wheeled from the footsteps of an Angel’s afterthought. With board underfoot I walk the sixty-four squares, the warming bridge of calculated reason to mix a cemented soul and cold-hearted stony iron beams into a new form of shadowed light within the joining minds of the Living and the Dead.


Scene 15

         An earthly mental framework formed without Merlyn’s conscious knowledge, the inward vision of the fourteenth century cathedral at Canterbury in southeast England’s district of Kent. In life, in the sixth century, this Scottish bard, Merlyn the Druid, had once tread the local grounds of St. Martin of Tours, the oldest church in England still in use today, in hopes of speaking to the then pagan Kentish King Ethelbert and his Queen, Bertha, the Christian daughter of Charibert I, King of Paris. Merlyn had surprisingly reflected upon his arrival at the church to meet Ethelbert that ‘this St. Martin’s is hallowed ground, but it is not Druidic hallowed ground.’

         Merlyn’s unconscious mind, trained in the Classical and Druidic way via Greek and Latin, worked its magical frame and stone. The earthly minded ecclesiastical nest-work settled into a mélange of added understanding – a crucible of powdered red earth, fire heated and slowly stirred in a beaker of the waters from the mighty Styx.

         Merlyn dipped this sacred mixture into the nave and quire of his now cathedral-like mind. The unconsciousness and consciousness of dreams wafted about leaving the characters of the first three books therein high and dry, standing or milling about in the great nave, baptized, as it were from duty rendered and listening to the echoes of their dialogues running along and up and down the walls of the quire. Ghosts of page filled dreams stuck within the cathedral that rose transformed from the voice of Grandmother Earth in a Medieval choral duet with an unknowable Voice only recently capitalized for the moment at hand.

         The great Board and the Cathedral became one. Each stone block of esoteric architecture cemented in a fiery mix of reason in imagination and imagination in reason. The great Tower Bell rang once. Only those with an inner eye and inner ear saw and heard the explosion that flashed within its own light and reverberated within its own sound. Merlyn saw and heard nothing but the characters of the dreams stood as still as the walls and embedded in the heart of one conscious reader in ten thousand. The rest, the emotional fire buried in the vaults of dead human and dead marsupial unconsciousness waiting for the unknowable echo of the great Tower Bell.

         My pupils, thought Merlyn, the dark lettered lines running the living white of my eyes. Pages bound into books to leak out our knighted Dead on squares of light and dark. And from within and beyond a secret hope squeaked from his unvoiced soul, it whispered to Merlyn alone, “What is once done cannot be undone.”

         Merlyn unconsciously responded, 'Learning I have done, and learning more I'll do.'

Selected from Chapter Five of the uncompleted Book Four.

** **
         1059 hours. It is exhausting to read these lines but my passions well up in doing so.

         Post, boy. - Amorella

        My thanks to those recent readers who remind me of postings past. 


         1323 hours. I feel like I am mixing paints while mixing these paragraphs further selected from chapter five, book four.

         We will draw from these words for Dead Seven and we will continue this drawing for Chapter Five, Book Four in Dead Eight. Add these further selected. – Amorella

** **
The Mix for the PouchMaster

‘Neither Here nor There surround the thought pool of nowhere.

The big  wheel run by faith and the little wheel run by the Grace of G---D. Spin. Three raindrops equal in size, snowman like, whirling one on top of the other like toy tops. Whirling, each whirling a different direction one on top of the other. Always different directions. Spinning so fast they appear to be touching which they are not. When they slow and appear to melt they become solid in a much of nothing. The dance of twelve begins. Meanwhile, back on Earth a lonely man by the name of Ezekiel looks up in the air near the river Chebar and reportedly sees:
I looked, and, behold, a whirlwind came out of the north, a great cloud, and a fire enfolding itself, and a brightness was about it, and out of the midst thereof as the color of amber, out of the midst of the fire. Also out of the midst thereof came the likeness of four living creatures.

The original twelve shamans however, the dancers who understood, had quietly returned to who they had always been in life and death. Ishtar, a woman from Assyria; Enki a high priest from Babylonia; Jun from China; Amenhotep from Egypt; Amrita, a woman from India; Teja of the Indo-Europeans; Meir from Israel; Kagami, a woman from Japan; B’alam from the Central American Olmec; Tiwanaku from High Peru; Dido, a woman from Phoenicia; and Mother’s first, Panagiotakis from pre-ancient Greece. The meanings of the Shamans’ given names in no particular order are: Truth; Holy; Glow; Light; Pharaoh; Immortality; Virgin; Lord; Star; Mirror; Jaguar; and Center-Stone.

 The soul immerges as a full spinning globe as an unorthodox soul-like atmospheric energy is released in his lower non-mass of middle body.

A nymph’s light, thinks Merlyn. An oncoming spirit is cut in half by a thin horizontal blade of light which is slowly upward full turning into a small replica of the moon. Her head is becoming a spinning moon-world of light above and his lower torso and legs a spinning moon-world of light below.

Merlyn observes the head-shape, a full moon circle, moving more slowly to the right while his mid-chest full moon circle moves quickly to the left. Below, Takis’s lower full moon circle spins more slowly than the middle but faster than the once head. The faster the spin the brighter the three global lights. The spectrum dances strangely without rhythm across each of the disks, until – violet to blue to green to yellow to orange to red to black to violet to blue to green to yellow to orange to red to black to . . . .

At once a dance of three vertical balls of light centered in a circle of twelve independent vertical balls of three around Takis who is centered, or seemingly it is Takis centered.

Thirty-nine identically sized and shaped balls all spinning in thirty-nine separate directions at thirty-nine separate rates of speeds. Merlyn’s mind jumped: a spinning stone circle with a center stone axis. Light. And, for once in their time being Dead, each, Merlyn and the Spirit cast an eerie green and ghostly shadow that caused their heartsansoulsanminds to sense a heaviness, a weight.

Circles of thirteen identities in thirty-nine dancing lights over the River Styx and another Light enters with wall-less shadows churning and painting a starless tent over the River and both its shores. The lesser, the thirty-nine dancing lights flicker and disappear into such a shadowed enclosure. And from such a darkness a small speck, a needle prick of a light appears and draws in the weight of real, imaginary, and invisible worlds. Were not so dark with freedom between an individual’s heart and soul and mind the Unsupervised Light would glow unnoticed.

Unknown, the Supervisor pulled what modern humans might call a magical hat trick beneath the stage of gravity and all its darkly material attractions. It was nothing of the sort of course. In the seed of a quantum tangle of all realities is imagination. Separating imagination from reality is like separating an individual’s heartansoulanmind, and therein lies the contrivance, the automaticity, built into the Supervisor HeranHis self.

Interfaced within the minutely lit outer darkness forms maneuvered within the multi-wheeling minds of Mario and Aeneas fire shot upward and downward in the center of an instant in being Dead. The voice of the dreamer became the silence of dream. Whole drops the W and what IS, IS NOT. Those who say they know, know nothing. Those who know nothing bask in an interlude of understanding of their lack of knowledge.

In less than the blink of an eye neither man had, a lull, a lack, formed a refreshed library in their minds. Study developed into a new meaning of experience. As Merlyn and the Spirit, PouchMaster, calmly observed, the still quiet waters of the River Styx lay out beyond the mid-afternoon shore as usual. The dancing lights disappear, night and day also disappeared.

Chapter Five Selection for use in Dead Seven
** **
         1330 hours. There appears such a randomness in this.

         From my perspective, boy, there is accident but little randomness. Post. Amorella


         1902 hours. It took me an hour or so later to realize that this segment is being presented from PouchMaster’s; something I did not suspect. The theme of this chapter is “Common Core”. It looks like this is in reference first to the [human] spirit, the combined functioning of the higher consciousness of the heart and soul and mind across the Milky Way Galaxy to Earth.

         There are a variety of ways to interpret the chapter theme word – this is a thinking person’s trilogy in wonderment, my man. – Amorella

         1917 hours. Most people would not perceive ‘wonder’ with entertainment, Amorella.

         You speaking for most people now, boy? – Amorella

         1919 hours. No. I must learn to keep my mind shut. You are right. Basically, I see these works and blog as my passion for curiosity and wonderment in relationship to the human spirit. Often times I secretly do not feel that close of a relationship with my fellow Homo sapiens because of my personal interests. I don’t have a conflict with this, but it is comforting to me to think I do belong to our species. I am thinking here not in relations to friends and family, but more to the climate of the general culture in the United States. Political, religious and social cultures have been here long before all of us and they are ever-transforming just as languages are. I am thankful to enjoy my privacy to the point of living in a ‘mental’ glass house so to speak. Strangely, as I have stated many times it allows me a freedom I would not otherwise have. William Blake and Emily Dickenson come to mind first, then Ralph Waldo Emerson. These people as I have come to know them through their literature and art are comforting human spirits to me. They might not feel this way about me but I feel they are a part of who I am in terms of ‘comfortable spirits’.  – rho

         Were I an Angel you would not blink while telling me such straight on. Post. - Amorella

          It is good to hear this, Amorella. Thank you kindly. 

         2136 hours. I am comfortable with you also, Amorella, more so than I was twenty-five years ago. Following my own experiences in imagination and reason I can take on the fictional character/persona of the PouchMaster.

         I will thus take on the persona of Elderfelder who remains in the spiritual pouch of PouchMaster. – Amorella

         2143 hours. You continually surprise me. How can this be even in a fiction?

         It is the persona not her spirit. The PouchMaster dances to the tune of Elderfelder’s soul, if you will. Elderfelder keeps her [human] heart intact within her own soul. PouchMaster’s soul is ‘forever’ in a dance with Elderfelder’s soul. They are metaphysically entangled. Elderfelder is an example of ‘accident’ just, if you will, a case can be made in these books that physics is also an accident or not. We are leaving G---D out of this equation because these books are not intended to go further than they do. We do not go, where out of Respect, the Angels do not go. – Amorella

         2155 hours. I can live with this sense of ethics.

         How good of you boy. – Amorella

         2157 hours. What about the new babe born similarly in the story?

         Accidents can happen at any time. She however may be helped in such a technological science and humane filled future. – Amorella

         2200 hours. I can see this quickly becoming a dilemma for the marsupial humanoids. I also detect the darkest of dark humor here.

         This is only for those with such an inkling. – Amorella

         2213 hours. This is but too much of a shock all at once for ParentsinCharge let alone the general population of ThreePlanets. Why all this coming their way?

         Some may say it is meddling in another planet’s business, that the Godofamily is angry and punishing them. Others will worry that the real Elderfelder has returned, a physical ghost of sorts in retaliation for disturbing StoneHouse. – Amorella

         2217 hours. But this cannot be true. The babe exists before StoneHouse is raised.

         Who are you to quibble about the faith of many marsupial humanoids? – Amorella

         This is a quandary. How can this be contained?

         How can anything be contained, boy, once it is a known circumstance? – Amorella

         2221 hours. What ho. What, a fiction derived from an unwitnessed and irresolvable existential/personal circumstance?

         I think it would catch the listening Angel’s attention. – Amorella

         2228 hours. I cannot bear to think how this will resolve itself for these poor Earthlings. Friendly and company have very little control here.

         This is so much for Earth and ThreePlanets’ general perspective on reality. You want a book with a bite in it don’t you boy? – Amorella

         2234 hours. I would like some hope.

         It’s your story, boy. Supply some. Post. - Amorella

         2239 hours. I see a hint of Frank Herbert's Dune in this.

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